Search complete for “theatre | writing”. Results are below.
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fifty-eighth part, called “subject matter LVIII,” of a series of ‘letters’ written to you, the reader, towards a book called, theatre | writing
subject matter Here the matter is the subject. The subject forms an inside. This is why we place it on a surface, why the surface is not fixed. Even into a theatre, it is not fixed. It’s not that theatre is the best way to produce subjects, or the best subject, the better subject being […]
Filed in (&&&[Deleuze])=-1..., ..., Ἀκαδήμεια, hommangerie, imarginaleiro, immedia, infemmarie, luz es tiempo, point to point, textasies, textatics, theatricality, theatrum philosophicum, thigein & conatus | 19-Nov-21 | no comments -
fifty-seventh part, called “subject matter LVII,” of a series of ‘letters’ written to you, the reader, towards a book called, theatre | writing
subject matter In tragedy: the violence of the resolute. In comedy, switchbacks galore: He is She, and I am You, and They are the Eggman. In tragedy also, the humour of the resolute, like a higher form of comedy. The violence of resolution can come as a castration, where it has no consequence. So it […]
Filed in (&&&[Deleuze])=-1..., ..., Ἀκαδήμεια, hommangerie, imarginaleiro, immedia, infemmarie, point to point, textasies, textatics, theatricality, theatrum philosophicum, thigein & conatus | 18-Nov-21 | no comments -
fifty-sixth part, called “subject matter LVI,” of a series of ‘letters’ written to you, the reader, towards a book called, theatre | writing
subject matter We’ve said that movement gives us immunity from the mobility of the surface, that movement immunises the community from a situation that seems a certain slide. But how are we to move? How, when the political will is absent, do we change course from this direction that is every direction at once? How, […]
Filed in (&&&[Deleuze])=-1..., ..., Ἀκαδήμεια, hommangerie, imarginaleiro, immedia, infemmarie, τραῦμα, luz es tiempo, point to point, textasies, textatics, theatricality, theatrum philosophicum, thigein & conatus | 16-Nov-21 | no comments -
fifty-fifth part, called “subject matter LV,” of a series of ‘letters’ written to you, the reader, towards a book called, theatre | writing
subject matter It appears that two principles are necessary: comedy and tragedy. Mobility and transcendence. Two types of drives: one conservative, the other expensive, or expansive. Two states of matter, or material subject: one bearing value; one exercising value; one bouncing off the other’s steady offer. Yet we have seen this not to be the […]
Filed in (&&&[Deleuze])=-1..., ..., Ἀκαδήμεια, CAPITAL CAPITAL CAPITAL, hommangerie, imarginaleiro, immedia, infemmarie, τραῦμα, luz es tiempo, point to point, textasies, textatics, theatricality, theatrum philosophicum, thigein & conatus | 15-Nov-21 | no comments -
fifty-fourth part, called “subject matter LIV,” of a series of ‘letters’ written to you, the reader, towards a book called, theatre | writing
subject matter The role of political management over the last two years of pandemic, or, to be histrionic, plague, has looked to be a direct use of biopolitics. Control of populations has been control of bodies, control of movement. And there looks to have been something sacrificed. Biopolitical policing of populations, infected populations, has seemed […]
Filed in (&&&[Deleuze])=-1..., ..., Ἀκαδήμεια, CAPITAL CAPITAL CAPITAL, imarginaleiro, immedia, inanimadvertisement, luz es tiempo, National Scandal, point to point, representationalism, textasies, textatics, thigein & conatus | 13-Nov-21 | no comments -
fifty-third part, called “subject matter LIII,” of a series of ‘letters’ written to you, the reader, towards a book called, theatre | writing
subject matter At some level, somewhere, everything is moving too fast. Where this is so, what grants us immunity from it? Movement. Roberto Esposito has developed the political theme of immunity. He finds a relation by contrasting the immunitas and the communitas that unites the two. It is physically there in the words to see. […]
Filed in (&&&[Deleuze])=-1..., ..., Ἀκαδήμεια, hommangerie, immedia, infemmarie, τραῦμα, point to point, representationalism, swweesaience, textasies, textatics, theatricality, theatrum philosophicum, thigein & conatus | 12-Nov-21 | no comments -
fifty-second part, called “subject matter LII,” of a series of ‘letters’ written to you, the reader, towards a book called, theatre | writing
subject matter The combination of repression, suppression is followed by a further suppression. But this time it is a suppression of the political in the political. The political is now what does not play. The reversal we talked about is this: where comic levity was suppressed, today it is tragic necessity which comprises a content […]
Filed in (&&&[Deleuze])=-1..., ..., Ἀκαδήμεια, immedia, luz es tiempo, point to point, representationalism, textasies, textatics, theatricality, theatrum philosophicum, thigein & conatus | 12-Nov-21 | no comments -
fifty-first part, called “subject matter LI,” of a series of ‘letters’ written to you, the reader, towards a book called, theatre | writing
subject matter Suppression, repression: theatre suffered these for politics. It led to a reversal of roles, but we can only speak of a role reversal in view of theatre, and of the surface with limitlessness in its potentiality, because this is where it occurs. However, there also looks to be a restriction in powers: the […]
Filed in (&&&[Deleuze])=-1..., ..., Ἀκαδήμεια, hommangerie, immedia, infemmarie, representationalism, textasies, textatics, theatricality, theatrum philosophicum | 09-Nov-21 | no comments -
fiftieth part, called “subject matter L,” of a series of ‘letters’ written to you, the reader, towards a book called, theatre | writing
subject matter On one side, the suppression of movement on a then contagious surface, relating to the disordering by comedy, public shaming and so on; on the other side, the self-appointment of theatrical means to be those representing order, with a relation to a tragic representation: both worked together. The one was by political expediency, […]
Filed in (&&&[Deleuze])=-1..., ..., hommangerie, imarginaleiro, immedia, infemmarie, luz es tiempo, point to point, representationalism, textasies, textatics, theatricality, theatrum philosophicum, thigein & conatus | 07-Nov-21 | no comments -
forty-ninth part, called “subject matter XLIX,” of a series of ‘letters’ written to you, the reader, towards a book called, theatre | writing
subject matter What was suppressed in theatre was levity. What caused the suppression was the fluid and mobile nature of the surface: it might spread, like a contagion, bringing with it fluid identities, sexualities, cross-dressers and all manner of erotic, aesthetic, and political perversion. Worst of all, it would inject humour into the proceedings, upsetting […]
Filed in (&&&[Deleuze])=-1..., ..., Ἀκαδήμεια, hommangerie, imarginaleiro, immedia, infemmarie, luz es tiempo, point to point, representationalism, textasies, textatics, theatricality, theatrum philosophicum, thigein & conatus | 07-Nov-21 | no comments
