I should like to write something for John Ash
I should like to write something to John Ash
John Ash,
I should like to have written something to you
I should have written sooner.
so, I should like to write something for John Ash
I should like to write something
I should write something
I
write something
write
Ash
I should like to leave the city
for the island
I should like to leave the island
for the city
I should like to leave for
Aphrodisias
I should like to leave these ruins
for those
9 February 2023
square white world
work pieces series by simon taylor
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M I N U S__T H E A T R E
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& other transports, below- Lecture on Reflective Writing–delivered AUT 3.8.2021
- theatre | …: first half in epistolary form
- 10 lectures on theory & context, moving image & digital media delivered AUT 1 March – 24 May 2022
- Japan / Nihon / 日本国: 15 June 2019 – 25 June 2019 [including Deleuze|Guattari Studies Asia 7th International Conference & Camp]
- WAY OUT: Deleuze and Guattari go outside
- 28.07.2018 – 07.08.2018 Japan – Kansai
- A visual diary, 2015, with a few words (an index to posts in chronological order): Tokyo, Stockholm (8th International Deleuze Studies Conference, Daughers of Chaos), Copenhagen, Berlin, Vancouver, Waiheke
- Hollyford Track, December 2015
- Japan Journal, 2014 – links to posts listed in chronological order
- a chronological & paginated index to posts on tour in 2010
- C O M P A N Y
Dear Visitor(2009)- The Ministry of Destinies
- end of dreaming
- a short series up to christmas [2021]
- ancestry
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- sketches of Kawaeranga
- to you of all people
- THIS IS THE WAY IT ENDS
- A Piece of Fabric
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- COME TO NOTHING
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- ‘in your shadow the world was on fire’
- ‘The Buttock’ and ‘The Bread’
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- The End
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- The Experiment
- The Gate
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- The Land War
- The Mezzanine
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- Ianthe Victoria Taylor 1939 – 2012
- thank you for your sympathy in our time of sorrow
- Anthony Frederick Taylor 1937 – 2009
- My Father, Oedipus
- TAYLOR ARCHIVE
- Travesties, Downstage, 1977
- East Lynne (double bill with Music Hall, Palace of Varieties), Downstage, 1977
- Bingo, Downstage, 1978
- The Merchant of Venice, Downstage, 1978
- Heroes and Butterflies, Downstage, 1978
- Candide, Downstage, 1978
- Summit Conference, Downstage, 1979
- Prisoners of Mother England, Downstage, 1979
- Deathtrap, Downstage, 1979
- Big and Little, Downstage, 1981
- Hamlet, Downstage, 1982
- Sherlock Holmes and the Curse of the Sign of Four, Downstage, 1982
- thank you for your sympathy in our time of sorrow
- Letter to the Prime Minister of New Zealand
- KAUKAPAKAPA CEMETERY GARDEN AREA B BURIAL Block 1 Row 2 Plot 30 Seq 1 & 2
- The Ministry of Destinies
- revisiting butoh
- distinctions without differences: between now and here and nowhere, Auckland, 08
AB – Creative & Professional Development Application 15928 : 118955 ‘Love Project 9’hereunder please find the text of the afore-struck application to Creative New Zealand for funding, sans letters in support, bios, curriculum vitae & pretty pictures- SEMELE I
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- a theatre group called T-CELL
- Crime Oil: now available
- Invitation to an Opening, by way of an Introduction to The Separation Project [1998]
- Troy, in memoriam
- enantiomorphosis: the messianic
- QLIPPHOTH
- God was very lonely
- a face
- a small requiem for Beanie
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- TERROR TO THE GLORY
- THE CEMETERY OF PRINCIPLE
- The Cemetery of Principle
- the clearing-house effect, 01
- the clearing-house effect, 03
- the clearing-house effect, 05
- the clearing-house effect, 06
- the clearing-house effect, 07
- corpocracy and plaguology: some thoughts on “Digital Maoism”
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- say I & II
- RJF project
- belcher green: twelfth rendering
- list incomplete: seventh rendering
- not soap: thirteenth rendering
- on the square: eleventh rendering
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- remove your fingers: fifth rendering
- RJF: third rendering
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- STUDY FOR A PASSION: a working script in II Acts for 2 Actors
- RJF project
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- Marisa C. Hayes on Butoh Workshops at the Kazuo Ohno Dance Studio
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