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day 296 – 319 illogical imagery|of|nonconsecutive events

he wanted no part in the continuity

What I was experiencing was not déjà vu. Reality was repeating itself. This country moves through history too slowly for time to go forward, so it folds back on itself instead.

— Ahmet Altan, I Will Never See the World Again, Trans. Yasemin Çongar, 7.

a dinosaur in the holy sepulchre

cartoon in a classical landscape

“the affected part of people is the interesting side to me. It’s the real side of them that’s boring” — George Condo [from here]

…”I like what Miles [Davis] said, “Play what’s not there.” That’s why people like Rembrandt’s portraiture. He really painted what was not there. He used paint. That’s what painting is all about, discovering a way to paint because you love paint. I could roll myself in it, drink it, eat it and kill myself, suffocating in it. Some people hate paint and I understand that, too. I can understand people who claw through it, can’t get out of it, can’t put it away.”

— Ibid.

““This is a painting. It’s not a fake painting, it’s a painting from an imaginary character’s reality.” That’s why I work with a cast of characters, all created carefully. As each of them becomes real, so do their environments, their place of being. Sometimes, I think they even come from some imaginary character’s mind. (laughter)”

— Ibid.

“The sexual aspects of my women paintings … what are those?” … “From my point of view, they are used to enhance any sexual qualities that humanity may have left, not to diminish them. I try to make sexuality into something else, maybe it’s not what you’d want, because it can assume any form. And yet, it’s not repelling sexually. For example, the food chain could be an analogous subject. I’ve discussed this with Felix Guattari, he’s a good friend of mine. He deals with incredibly hard-core cases of schizophrenia. He does rip things apart, but not to degrade them.”

— Ibid. (Guattari and Condo lived in the same apartment building in Paris)

… “and I picked up this charcoal gray latex. I came home, put down the canvas, got out some scotch tape and put it on. I was just about to make this white line all the way down, I made the stroke and suddenly—the gray—when the light went on, the gray became a deep forest and the white became a streak of light that started to move between the pines. And it broke like a shimmering apparition. And then it paused, left a space, a black space and a charcoal gray space, and then it continued again. I looked at it. I went over and took some paper towel to scruffle the edges of each of the white lines. This painting had just become a shattered line, a line that could never be connected again. Barnett Newman could have done it. He did it. A lot of people did it. But there was no truth in it for me until that moment.”

— Ibid.

Condo’s interviewer, Anney Bonney, says: “How could God have created the universe if he’s everywhere? Where was there room for the universe? The answer is that God’s ability to withdraw allowed him to create the space for the world.”

— Ibid. and that ties in nicely with what David Chai has to say about meontology, for example here. … grounded in nothingness … the void. It’s a stage, really, isn’t it? A space where a cartoon figure walks into a classical landscape.

“What if you’re seeing a news broadcast, they just bombed the White House and in the middle of that you have little Miss Daisy doing her dishes …

This is the ideal psychological foreshortening we talked about earlier. This is not Cubism and walking around the canvas. This is Psychological Cubism.”

— Ibid.

“The future of painting is to be determined at the moment when the fuse of the present is ignited, a fuse lit many years before in some forgotten cave by primitive man as he etched out what came to be the future. That is and will always be how man perceives his own reality. Reality, which, since its initial definition as the world which exists external to us, independent of our perception, is now comprised of artificial components. Thus bringing the lexicon of art and reality together to create what I have arrived at and call artificial realism.

— George Condo, quoted at Simon Baker, George Condo: Painting Reconfigured, 2015, p. 53. And this segues, without transition, or is psychologically foreshortened into what I’ve been thinking with regard to David Abram’s on pre-alphabetic, nonliterate cultures and their relationship to the land and landscape. Alphabetic literate cultures have a corresponding orientation towards and in a topography of logos, a symbolic landscape, and a literature, so long as we think of literature as being composed, as Foucault seems to say, Deleuze’s archivist, of statements. Proximities and distances are measured according to statements, so that what I say can be a cartoon in a classical literary landscape.

Antipodal Being (1996)

Another thing Condo is great on is the little fractal beings, our antipodes, as antipodeans:

First Huxley, to situate Condo’s statement:

“Like the earth of a hundred years ago, our mind still has its darkest Africas, its unmapped Borneos and Amazonian Basins … The self-luminous objects which we see in the mind’s antipodes possess a meaning, and this meaning is, in some sort, as intense as their colour. Significance here is identical with being; for, at the mind’s antipodes, objects do not stand for anything but themselves.” [from Doors of Perception and Heaven and Hell, 1963]

“Thousands of miles across the earth primitive man [again!] experiences identical encounters with the antipodal self. As did Leonardo da Vinci many years later: his laughing maniacs were merely Pods admitting they exist–humiliating Leonardo… Forcing him into an anatomical safari to hunt them down. His enemy was not himself but the army of antipodal beings lodging in microscopic camps nested in his own body.” …

And further:

“The visionary taps into the periphery. Within the periphery of our consciousness there exists an entire species of beings that are subject to the artist’s description. Guston described them his way, Bruegel described them his way, and I describe them my way. They are basically out there in the bleachers, cheering; they’re driving forklifts; they organizing the molecules that make us work as humans, yet they live a life totally independent to ours.”

–at ibid., pp. 77-78

“If the art was good enough, I tried to destroy it. You have to be severe with art, because you don’t want to be a slave to it. Why would Picasso take David’s painting of the Sabine Women and tear it apart? Because that’s what you do. If you don’t love it enough, you walk away.”

“the realistic representation of that which is artificial.” Artificial Realism. Or, Irrealism.

— from here.

“In effect, the novels are a prelude, the stories an aftermath, each gesturing urgently at the scale of the biographical explosion that must lie in between.”

— from a review of Bolaño’s Cowboy Graves, here

… I have been thinking about what it might mean to be rejected from one’s autobiography … or memoir.

… “the loss of youth inscribing a larger loss of historical possibility, in an elegy for a future that never came to be.”

— Ibid.

“But at least inside the fiction, the possibility of” … we are conducting more tests to exclude possibilities… [change, of] “poetry, isn’t lost for good — just gone underground, like Bolaño”… whose poetry, we remember, in Hemingway’s words, sits in front of a typewriter and bleeds… as if his prose did not.

if one is rejected by the memoir one is writing, is the Mythic World then disturbed? is it, as a Terry Brooks title has it, put up for sale?

necessarily a fire sale… then isn’t this what the memoir is?

the memoirist fleeing the fire?

this would indicate that “The living are only a species of the dead, and a rare species at that.” — Nietzsche, quoted here

that one had died

from the New Yorker ‘user’s guide’ to the Bolaño ‘labyrinth,’ explosively centred, cited above:

“Avoid “2666” for as long as possible, and for heaven’s sake, don’t start with it. The book is a desert of negative space across which the panting reader will search in vain for the traditional pleasures of the novel: form, character, coherence, meaning.”

here

“It’s strange how the event one remembers attaches itself to the moments surrounding it, which without it would have been lost, since they don’t contain anything memorable. Yet those are the moments we live our lives in, while those we remember, which we construct our identities around, are often the exceptions.”

— Karl Ove Knausgård, Inadvertent, Trans. Ingvild Burkey, 2017, p. 19. …in other words: we are the exception to our own memoir.

“This was what I had been longing for. This was writing. To lose sight of yourself, and yet to use yourself, or that part of yourself that was beyond the control of your ego. And then to see something foreign appear on the page in front of you. Thoughts you had never had before, images you had never seen. It was the form that created them, for if what I put into the writing was my own and familiar to me, the form changed it, and that change demanded that I put something else into it, which in turn was transformed, so that even without moving I was moving away from myself.”

— Ibid., p. 81

…”annexed by the other.”

— Ibid.

…”Turgenev’s characters and descriptions don’t lead to anything beyond themselves, they are not part of a larger chain of events, and they stand open to everything–except the moment and the place. And that moment and place are the locus of our experience of the world.”

— Ibid., pp. 89-90

…”after ten years of trying and failing, I one day wrote a few pages about something that had happened to me, and which I felt so ashamed about that I had never told it to a single person, and did so in my own name, I didn’t know why I was doing it, and I didn’t at first see any connection with the novel I was trying to write, it was just something I did. I sent it to my editor, he called it “manically confessional,” and I got the impression that he was taken aback, for it was pretty intense, and in literary terms rather poor. But it had something, both he and I could see that.

“What was it?

…”freedom.”

— Ibid., pp. 91-92

…”the remnants of Marx no longer form any logical system of ideas, but only a series of suggestive images and slogans (a smiling worker with a hammer, black, white, and yellow men fraternally holding hands, the dove of peace rising to the sky, and so on and so on), we can rightfully talk of a gradual, general, planetary transformation of ideology into imagology.”

— Milan Kundera, Immortality, Trans. Peter Kussi, 1999, p. 118

“Their vocabulary is limited to fewer than fifty words, and their sentences mustn’t contain more than four words each. Their speech is a combination of three technical terms I don’t understand and of one or two breathtakingly banal ideas. These people aren’t ashamed of being themselves and haven’t the slightest inferiority complex. And that is precisely the proof of their power.”

.”I’d be willing, when it comes to it, to give in to those cretins and change the weather reports into a dialogue between clowns”… and the news too, if I worked for the New Zealand media.

— Ibid., pp. 122-123

…”in all languages derived from Latin, the word ‘reason’ (ratio, raison, ragione) has a double meaning: first, it designates the ability to think, and only second, the cause. Therefore reason in the sense of a cause is always understood as something rational. A reason the rationality of which is not transparent would seem to be incapable of causing an effect. But in German, a reason in the sense of a cause is called Grund, a word having nothing to do with the Latin ratio and originally meaning ‘soil’ and later ‘basis.’ From the viewpoint of the Latin ratio, the girl’s behavior, sitting down on the highway, [waiting to be run over] seems absurd, inappropriate, irrational, and yet it has its reason, its basis, its ground, Grund. Such a Grund is inscribed deep in all of us, it is the ever-present cause of our actions, it is the soil from which our fate grows. I am trying to grasp the Grund hidden at the bottom of each of my characters, and I am convinced more and more that it has the nature of a metaphor.”

“Your idea escapes me” …

“Too bad. It is the most important thought that ever occurred to me.”

— Ibid., p. 243. But is this really so? Is it not the other way around? Isn’t the ground of every metaphor a character?

…”Laura swam the crawl, clumsily but all the more passionately and with a sort of anger.

“It seemed to me that each stroke was falling on Paul’s head like successive years: his face was visibly ageing before our eyes. Already he was seventy and a moment later eighty, and still he stood there holding his glass in front of him as if he wished to stop the avalanche of years hurtling toward him. “I recall a famous phrase from my youth,” he said in a voice that suddenly lost all of its resonance: “Woman is the future of man. Who actually said that? I forget. Lenin? Kennedy? No, no. It was some poet.”

“Aragon”…

… “What does that mean, woman is the future of man? That men will turn into women? I don’t understand that stupid phrase!”

“Literature will die out, and stupid poetic phrases will remain to drift over the world”…

— Ibid., pp. 350-351. Just like the characters, ideas, images they are. Over a world that is nothingness, the nothingness that is their root cause, soil, generative, reason and ground.

If we think of ratio in terms of measure, we can see that effects are measured against their causes. And rated. For something, some event, to be significant, to be worth talking about, is for it to have significant effects, perhaps even far-reaching effects.

For Raymond Ruyer, writing his metaphysics of biology, in biology it is entirely a different case that causes should cause proportionate effects. It is the opposite: the first cell stimulated into division will have the effect of giving rise to a form completely out of proportion to the original stimulus and incommensurate with it.

No matter how many environmental, genetic stimuli are present, as causes, these are insufficient to have the consequence of effecting, in all its complexity of form, the human nervous system. This form is against all reason.

Liu Yong, 柳永, 987–1053, poet of the Song Dynasty, died an ‘ignominious death’ with noone but a poor prostitute to mourn him, and the principal character of Qiu Xiaolong’s detective novels asks himself if he is so different? What is he good for, in a materialist society? the author of a few sentimental songs.

Where shall I find myself

Tonight waking from the hangover--

The riverbank lined with weeping willows,

The moon sinking, the dawn rising on a breeze.

Year after year, I will be far,

Far away from you.

All the beautiful scenes are unfolding,

But to no avail:

Oh, to whom can I speak 

Of this ever enchanting landscape?

— at Qiu Xiaolong, Death of a Red Heroine, 2000, p. 348

“It is not people that make interpretations, but interpretations that make people.”

— Ibid., p. 457. The actions we make are interpreted by others and, no matter what we say, we cannot change others’ views of what we have done, of what we do, or of what we will do. This against Kundera’s character, narrator of Immortality, who finds the essence of a character in the metaphor that nails him or her.

“They should be able to live in the world of their own discourse, not just in other people’s interpretations.”

— Ibid., p. 462

hoju – void element in Japanese sotoba

Perhaps the Quixotic can be accurately defined as the literary mode of an absolute reality, not as impossible dream but rather as a persuasive awakening into mortality.

— Bloom on Cervantes (Edith Grossman’s translation of Quixote) (here)

In consuming internet porn–as everyone here does some way or another–we observe and feed into this [algorithmic—for which Galera uses the brilliant example of Sade’s 120 Days of Sodom] logic’s production of the erotic. And yet, this same logic extends to all fields of human experience. We also apply it to our own genetic material, to the succession of fad diets and our behavior as spectators and readers, our sleep and work routines, our concepts of happiness. We apply it to scientific research, dating apps, or those apps that counter users’ steps and heartbeats. We’re talking about the absolute quantification of existence. We’re talking about digitalizing every cultural manifestation imaginable. We treat all our free-world desires in the same way that de Sade, confined between the stone walls of a cell deep inside a castle, treated them.
— Daniel Galera, Twenty After Midnight. Translated by Julia Sanches. New York, NY: Penguin Books, 2020. Original work published as Meia-noite e vinte, 2016. p. 84.

Writer Angélica Gorodischer on the situation in Argentina under conditions of monetary devaluation and public debt, where there is no arts policy, there are no official cultural policies, no funding for the arts and those who would support, sponsor and back the arts, not only have no incentive but have no money to do so in 20 questions to Angélica Gorodischer … then, given the dissimilarities, why do I relate to it…?

… they have stolen everything from us — our money, our future, public education, work, everything except culture. And they can’t steal this from us because it doesn’t interest them. And it doesn’t interest them because they don’t understand what it’s about. But we, those of us who write or paint or sculpt or make movies, this is something that we do understand.

what this recalls, this failure to understand, this success of the arts in slipping free of official understanding, is the Wallfacer Project in Cixin Liu's Three-Body Problem (see here).

thanks, Z.

art expresses nonhuman species

isn’t pigment at base a mineral so that painting involves a becoming-mineral?

meaning, we have to include in species anorganic species

also, I would replace the notion of becoming: art–the hallucination of what it is not to be human. i.e. it shows the dream that human being is. Showing it for the dream it is. Both psychic and social.

— Why is it a certain kind of love brings out our worst selves?

— That’s the real one does that.

— Jenni Fagan, Luckenbooth, (London, UK: Heinemann, 2021), 21.

I have a … well, this book moved me towards a feeling of impending doom, by reminding me principally of the miners’ strikes when Thatcher was crushing the Trade Unions and of the hope that flowered briefly at Tiananmen…

…and that now is crushed.

Is being crushed, with the right to protest.

Nothing is being done to help humanity. Not even any self-help efforts are any use. Humanity is named shamed and blamed for the despoliation of the planet. Kill it, they say. Those that will survive the arrogation to the market of political will and decision-making because they are rich and powerful. Kill it.

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turn it off day 263 – 282

As a woman in Saudi Arabia, I am restricted in some ways as a woman. - writes Niesha Salman Abdulaziz to me.

Assalamalekum

In the face of the current Covid-19 pandemic, the wider performance sector has effectively been rendered inoperable. The current convergence of complex issues in the sector and beyond, triggered by the pandemic as well as the Black Lives Matter movement, in conjunction with the environmental crisis, calls for a radical undoing and reorganising of the political, the social, the cultural and the existential.

— from here

the control of science and the coercion of politics.

— from here

https://www.theguardian.com/commentisfree/2021/jan/20/joe-biden-action-bernie-sanders

shortly before Christmas I came across something called neodecadence, featuring people like Justin Isis, based in Nihon, and Chomu Press, and K.J. Bishop’s The Etched City, Bantam Books, 2004, which reviewers were happy to call neo-decadent. Here are some excerpts:

Art is the conscious making of numinous phenomena. Many objects are just objects–inert, merely utilitarian. Many events are inconsequential, too banal to add anything to our experience of life. This is unfortunate, as one cannot grow except by having one’s spirit greatly stirred by spiritless things. Much of our very life is dead. For primitive man, this was not so. He made his own possessions, and shaped and decorated them with the aim of making them not merely useful, but powerful. He tried to infuse his weapons with the nature of the tiger, his cooking pots with the life of growing things; and he succeeded. Appearance, materiality, history, context, rarity–perhaps rarity most of all–combine to create, magically, the quality of soul. But we modern demiurges are prolific copyists; we give few things souls of their own. Locomotives, with their close resemblance to beasts, may be the great exception; but in nearly all else with which today’s poor humans are filling the world, I see a quelling of the numinous, an ashening of the fire of life. We are making an inert world; we are building a cemetery. And on the tombs, to remind us of life, we lay wreaths of poetry and bouquets of painting. … No longer integral, the numinous has become optional, a luxury–…

— op. cit., 297.

We go no further than this. Yonder abide the dead in their domain. And when the living sun burns out and the living moon falls dark and all things that have life have come and gone, that world shall be the only world, and so it will be forever. All of time is but a shell floating alone on a still ocean; and the shell holds the universe; and the shell has a day of birth and a day of death, when it will sink into the ocean, and all it held will be lost, save for what is remembered in the memories of the dead.

— ibid., 352.

Absence is more truthful than presence, if truth is that which endures and never changes its nature.

— ibid., 344.

In the nomad’s land, which was a land of lines, many lines, with space as such being incidental filler, a negative concept, Raule occasionally wondered whether she had escaped from a doomed world–escaped from nowhere to somewhere. An equal number of times, she wondered whether she was part of something left by a world that had birthed itself into a new, more gracious state–a state beyond apprehension by that which remained, dry, linear as bone, as the veins in a dead leaf.

— ibid., 377.

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day 232 – 262 – on being meaningless & ‘a tissue for my eyes’

life during lockdown:

thanks Pavane!

The Assembly adopted draft resolution I, “Combating glorification of Nazism, neo‑Nazism and other practices that contribute to fuelling contemporary forms of racism, racial discrimination, xenophobia and related intolerance”, by a recorded vote of 130 in favour to 2 against (Ukraine, United States), with 51 abstentions. – from here

note abstention of both Australia and New Zealand.

US maintains it is a freedom of speech issue.

note also that this is not fake but mirage news.

s: who knows what the new year will bring…

c: it will just make us more nuggetty.

thanks Mark!

A controlled population is a living population

what is the role of COVID-19? to discredit democracy

what is the role of Trump? to discredit democracy

Lohraw: In the future there will be infamy every 15 minutes.

via Ttekceb: And once this first ordeal is surmounted, the next will come along, like buses…

to be meaningless is easy as long as you keep your meaning secret

Talking with an old friend I realised:

a tissue for my eyes please

from https://www.youtube.com/watch?v=MfbN_wVDVcw

[Of course, to say to be meaningless is easy as long as you keep your meaning secret is completely disingenuous. Being meaningless is easy so long as secretly you believe that you are meaningful. Being meaningless is easy so long as secretly I believe that I am not. To believe you are meaningless is difficult. … We used to do this thing in Minus Theatre where all meaning is moved up onto the surface. The more meaningful the better. The more intensity of meaning the better. And the more depth of meaning the better. The idea is not for meaning to be lost, to lose or shed meaning from that which previously had meaning and was meaningful. The idea was not to pull meaning up by the roots, to root it out from wherever it sprang. The idea was, the idea is, that once put on the surface meaning can change. To keep it secret (hidden in the deep) or to keep it secretly (because of its depth) keeps meaning the same. So it can’t change. What is meaningful remains rooted in the soil where it grows. But it only seems to grow. What in fact is happening is that meaning has stuck. It remains rooted to the spot. It has only one fixed meaning, when this in fact is only a part of its meaning. A gesture of suicide, what does it mean? Does it mean the desire to rejoin the soil–of meaninglessness? Or is it threatening death to what is too full of meaning, has too much meaning? Suicide seems to be both the absolute statement of personal meaning at the same time as it is the absolute statement of personal meaninglessness. In Minus we would make the gesture and steal it for other purposes. A man tearing out his own hair would be getting his hair done. A woman shooting herself would have suicide as part of its meaning, it would be, in other words, acting. … Acting seems to be both the absolute statement of personal meaninglessness at the same time as it is the absolute statement of personal meaning. It is where the personal changes meaning. Online personal expression fixes meaning. No statement can be made that does not stick to the one who makes it. The selfie mask sticks to the face (…the face to the mask / the root to the plant…). It is not acting but a gesture that by being made is meaningful. And it is not theatre. Or rather it is the worst kind of theatre, the theatre of feelings that are no less meaningful for being manufactured, a factory for the sentimental, a productionline for kitsch, for a politicised engagement with the personal and for a personalised performance of the political. It means taking a stand. Against this: Minus Theatre. What if your meaningful statement was more mobile and less absolute? Your political standpoint–what if it allowed of other meanings? Your personal viewpoint–it is not enough to let there be other and opposite viewpoints from which it either differs or to which it is opposed: what if your personal viewpoint meant different things at different times and places and even the opposite then and there of what it means here and now? Meaning needs to be decomposed just enough for it to become mobile–neither full of meaning nor wholly without meaning. Communication, sympathy, empathy–these are not enough: for each statement, each gesture, each action and each suicide that it is meaningless participates in its meaning. We might say that its deconstruction is present in it, an ongoing part of it, allowing it to travel not only back and forth but in all directions, towards all sorts of unintended meanings and lacks of meaning. Aporetic and ephectic, Beckett writes.]

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day 203 – 231 … Children, Go On Strike!

at 9:16 am on 16 November 2020, M. John Harrison wrote on Twttr:

Complexity, weirdness, characterisations like little stained glass sideshows. Characters do things because they want to. Equally, the text shows you something because it wants to. I see a book controlled by its own mood swings and emotional surfaces. But then I always do.

Today I’ve been writing about hikikomori and the cynicism–without experiencing it–of the answer to this ‘social problem’: restating the social imperative–to participate, engage, make contact, connect–that led to their being shut-in; as if in the great transparent snowglobe or bubble of communications’ technology–aka affective data industries.

The smartest people I knew at school lost their brains when they reached puberty. What is intelligence in children?

What is intelligence to children?

How do children understand intelligence?

Andrés Barba’s novels, The Luminous Republic (2020 in translation from Spanish to English), and Such Small Hands (2008 in translation), give an idea of an intelligence belonging to children. Here children are not captured in or at some kind of developmental state or stage. Neither is there moralising about the capacity to form judgements, the judgement-forming faculty belonging to morality, that children are said not to have acquired; nor in these books do we see an emotional view–in the image of which children’s inner emotional lives create their worlds: no magicking and no sciencing.

The intelligence of children is shown to be that of reason, of a reason unencumbered by … a hesitation here: is it experience of which children’s use of reason is unencumbered? is it judgement? or the judgements of others of which children’s reason is free? … No.

I would say that children’s use of reason is free because it is free of play, unencumbered by play–or free of a freedom with conditions. It is free of the kind of freedom that comes with conditions, the conditions that play has, where you might say to me, You’re not playing any more!

Children’s use of reason does not have parameters within which it has play. The reason of children is free of the parameters of play, unencumbered by the conditions experience of others–the word of others–might impose.

Where did I read that children’s perception of the world was close to that of schizophrenics?

Deleuze writes in The Logic of Sense that we have to take care not to mix metaphors, to go from the series of children, poets, to madmen, madwomen. He cites the example of Artaud against Carroll.

And it would be possible to go in the opposite direction to a similar effect and similarly to err. To go from the pure reason of children, via the application of pure reason in the adult world, that is, science, to the madness of things like human instrumentality or holocaust. The madness of the human object.

According to this second madness that is a surfeit of reason, what is in reason would be insensitive. It would lack empathy. Its very neutrality and purity would have become its liability.

Children lack emotional maturity–a phrase that has evolved with a hole at each end. One end eats what the other shits. What one end eats the other shits.

The automaton-like reason of children. Yes, this only goes so far to explaining it. What it lacks is not emotional experience, the experience of consequence. It lacks system.

And the lack of system of the use of reason in children is the same as that lack of system Kundera finds–and I suspect Deleuze finds–to be characteristic of Nietzsche. Nietzsche lampoons the savants for their system. Kundera places this ‘freeing from system of philosophy’ in apposition with ‘freeing from form (the rigidity of the sonata in particular)’ characteristic of Beethoven, the winning of new freedoms … that can be referred to the problem facing any artist, which has to be answered each time anew–I can’t think of a better word, although I don’t like it, neither anew nor afresh. This problem can be usefully compared with what Julio Ramón Ribeyro (whom I talk about further and cite a reference for below) says about the novel: “For some time now, French novels have been written by professors for professors. [The citation of Ribeyro below might shed light on why it is French novelists.] The French novelist today is a gentleman who has nothing to say about the world, but very much to say about the novel.” And, “Each new writer cross-checks his work with that of the writers who came before, not with the world. In this way we reach rarification in the novel’s material, which could be confused with esotericism.” New writers, Zambra [another novelist, cited below] writes that Ribeyro writes, “try to make of their work not the personal reflection of reality, but rather the personal reflection of other reflections.” [see xv in the work cited below]

Deleuze and Guattari say of Nietzsche’s aphorisms–and speak in a similar way of Kafka’s researches–that they must be plugged into the world. That is, they came from the world. Not its reflection. Not in esoteric abstraction from it. Not trying to curry favour with the taste-judges of today on Instagram. And are not founded, therefore, in emotional maturity, that maturely sets its own expectations of consequence. Ambition.

The reason of children is free of system.

This the works of Andrés Barba show.

Speaking before–although whether this is in the sense of ‘in front of’ in spatial or temporal terms is uncertain*–the fifth anniversary of the Paris climate accord, Greta Thunberg said “there was a state of complete denial when it came to the immediate action needed, with leaders giving only distant promises and empty words.” The same Guardian article [here] reminds us of her solo school strike that “snowballed into a global youth movement” (strange choice, snowballed).

More effective than going on strike from school might be following Greta Thunberg’s example and going on strike from being children.

What if all the children of the world walked out on their parents, their caregivers, accusing them of the grossest incompetence?–bearing them into a world for the calamity facing which they, the adults, take no responsibility–proclaiming their care, their love, for children equates with setting them into a situation which they, the children, are helpless to reverse or stop–by making children, parents, grownups, are, in fact, making them children, that is, helpless!

So they should quit.

So, they leave being children from henceforth to the adults.

We have seen that most of the adults who wield real power are in fact children.

Children, walk out! Go on strike!

Walk out on your own heavy responsibility of being helpless!

Emotionally immature? Not at all!

You have reason! And reason gives you the reason to act!

In other words, stop performing as children. You don’t even get paid!

Take control!

Sieze it!

… Or,

Steal it!

*[it’s not in fact uncertain. The UN-led summit on climate change has been … postponed. A one-day online summit replaces it. One day! Ridiculous when students are paying to attend classes day after day online.]

{also, see here for a nice summary timeline naming climate change milestones … or nails in the coffin … or just stages in the snowball picking up speed …}


“A man should neither conceal nor misrepresent the facts concerning the way in which he conceived his thoughts. The deepest and most inexhaustible books will certainly always have something of the aphoristic and impetuous character of Pascal’s Pensées.” — Nietzsche, The Will to Power: An Attempted Transvaluation of All Values, Trans. Anthony M. Ludovici, available online here, section 424 p. 342

Considering its source, in the volume The Will to Power, selected from the notebooks by his sister, Elisabeth Förster-Nietzsche, wife of Bernard Förster, whose antisemitism she endorsed, the original German source of the foregoing in the Nachlaß eludes me.

Nietzsche’s strongest statement of affinity with Pascal is cited with approval by Kundera in Testaments Betrayed, the first section of Part Six, “Works and Spiders” which I quote in full:

“I think.” Nietzsche cast doubt on this assertion dictated by a grammatical convention that every verb must have a subject. Actually, said he, “a thought comes when ‘it’ wants to, and not when ‘I’ want it to; so that it is falsifying the fact to say that the subject ‘I’ is necessary to the verb ‘think.'” A thought, comes to the philosopher “from outside, from above or below, like events or thunderbolts heading for him.” It comes in a rush. For Nietzsche loves “a bold and exuberant intellectuality that runs presto,” and he makes fun of the savants for whom thought seems “a slow, halting activity, something like drudgery, often enough worth the sweat of the hero-savants, but nothing like that light, divine thing that is such close kin to dance and to high-spirited gaiety.”

“Elsewhere Nietzsche writes that the; philosopher “must not, through some false arrangement of deduction and dialectic, falsify the things and the ideas he arrived at by another route…. We should neither conceal nor corrupt the actual way our thoughts come to us. The most profound and inexhaustible books will surely always have something of the aphoristic, abrupt quality of Pascal’s Pensées.”

“We should not “corrupt the actual way our thoughts come to us”: I find this injunction remarkable; and I notice that, beginning with The Dawn, all the chapters in all his books are written in a single paragraph: this is so that a thought should be uttered in one single breath; so that it should be caught the way it appeared as it sped toward the philosopher, swift and dancing.”

Nietzsche to his sister on the subject of her–it can be assumed?–future husband:

“It is a matter of honor to me to be absolutely clean and unequivocal regarding anti-Semitism, namely opposed, as I am in my writings… I have been persecuted [pursued; verfolgt?] in recent times with letters and Anti-Semitic Correspondence sheets; my disgust with this party … is as outspoken as possible, but the relation to Förster, as well as the after-effect of my former anti-Semitic publisher Schmeitzner, always bring the adherents of this disagreeable party back to the idea that I must after all belong to them…” – from here

apologia pro vita sua

“It’s not uncommon for music superstars, after decades atop their scenes, to try to demonstrate fluency in the music of prior generations to bolster their claims to contemporary authority.” — Jon Caramanica on Bad Bunny, NY Times, 2.12.2020

sadopopulism:

“Permitting either the State or the individual to use murder as part of a political or ethical process forecloses any hope of partaking in a legitimate future. It is like the vengeful Marquis de Sade who, locked in his prison cell, dreamed of a twisted oligarchy that sustains itself through the murderous consumption of everything other than itself. However, the killers are unable to escape the very logic of their system, and they inevitably fall victim to the violent energies they have been fueling.”

— Joseph McClellan, Michel Onfray’s translator, on Camus (in The Translator’s Introduction, A Hedonist Manifesto: The Power to Exist, Trans. Joseph McClellan, (New York, NY: Columbia University Press, 2015), xi-xxxviii, xvi)

These themes meet in the shared theme of brutality, a subject on which the following sheds some light:

William-Davies-The-New-Neoliberalism-NLR-101-September-October-2016

“What mysterious alchemy vaults people who were largely ignored, or at least by their own lights insufficiently valued, in their own time to this privileged niche in the imagination of their posterity is never fully explainable and is not to be confused with reputation in the conventional sense. … Musing on one of these cult people, their admirers often exclaim, “’ink what she would have accomplished had she lived.” — from here

ink what?

from the same: “In the early 1950s in Cambridge, Massachusetts, [Susan] Taubes and her then husband, the rabbi and philosopher of ideas Jacob Taubes, were the closest friends of my parents, Susan Sontag and Philip Rieff. … It was left to my mother to identify [Susan Taubes’s] body. Much later, she told me: ‘I will never forgive her . . . and never recover from what she did.'”

..

.

In literary land this week: the Bad Sex in Fiction Award has been cancelled, Roald Dahl’s family has apologized for his anti-Semitism, and John Freeman has been named Knopf’s new Executive Editor. — from lithub book marks bulletin 12/11

“Ribeyro’s face is that of a law student who had contempt for the legal profession, or a Lima native who wanted to live in Madrid, who in Madrid dreamed of Paris, in Paris longed for Madrid, and so on, chasing grants and lovers, and especially in search of time to waste writing, in the solitude of Munich, or Berlin, or Paris, again, for a long stay.”

— Alejandro Zambra, in his introduction (“Ribeyro in His Web”), to Julio Ramón Ribeyro’s The Word of the Speechless [which might have been better mute, closer to the Spanish: La palabra del mudo], Trans. & Ed. Katherine Silver, (New York, NY: NYRB, 2019), vii-xvi, vii.

Ribeyro called the diary he wrote, which spans four decades (“Even in the most confessional pages of his diary, an impersonal mood persists,” writes Zambra, “that keeps him safe from exhibitionism or anecdotalism.”

(“Ribeyro writes to live,” he continues, “not to demonstrate that he has lived.”

(“A fragment from 1977 is, in this sense, revealing: ‘A true work must start from the oblivion or destruction (transformation) of the writer’s very self. The great writer is not one who truthfully, in detail and intensely, describes his existence, but one who becomes the filter, the weave, through which reality passes and is transfigured.'” [Ibid. viii]) La tentación del fracaso.

The Temptation of Failure.

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days 144 – 149

Death is not supposed to be part of the American dream, begins Richard Wolffe’s article for the Guardian. [here] Above this is a photo of a banner reading The Lasting Monument to Trump’s Presidency is Being Built One Death At A Time, above a Goyaesque pile of severed heads.

I watched the first NZ Leaders’ Debate of 2020 last night. It’s posted below, with, the YouTube comments say, the commercial breaks intact, but I don’t recommend watching it. It is not something one chooses or wishes others to watch. It is a troubling watch and this is the best that can be said about it.

It is troubling in the sense that political content ought to be troubling. I am writing about it now because I remain troubled by it and Wolffe’s article reminded me why, with its blandly ironic opening line.

Watching it last night–until I reached the point I could see it would go no further and I could watch no further–I saw clearly the attraction of Trump, Trump, the Monument to whose Presidency is Being Built One Death At A Time. I saw it clearly in the coldest harshest light–in the light of the NZ Leaders’ Debate, in the light of the poverty of vision in the Vision Statements of the Leaders (only two: Prime Minister Jacinda Ardern and Leader of the Opposition Judith Collins) and in the light of it looking like it was edited by a child.

The problem for a politician in the Post-COVID state is we know she knows where the lever is that stops the economy. Yet the vision of both Ardern and Collins went straight to the economy–and to growth. No mention was made of it being slowed or stopped.

Back to America: The New Yorker, Sept. 7 2020, leads with a Comment column by Amy Davidson Sorkin, who writes that the dominant theme of the Republican National Convention in the week previous was control. America is in danger of ceasing to be America. Evidence to support this claim is suppressed. Sorkin cites Kimberly Guilfoyle saying at the Conference, “They are coming for me, because I am fighting for you!” and “cosmopolitan élites … want to control what you see and think and believe so that they can control how you live.” The Wolffe article above puts this down to a strain of individualism endemic to America.

Told the ‘crux’ of QAnon’s “family of conspiracy theories” is that he is “secretly saving the world from [the] satanic cult of pedophiles and cannibals” and of course cosmopolitan élites, according to Sorkin, Trump asks, “Is that supposed to be a bad thing or a good thing?”

Sorkin writes, “A St. Louis couple who pointed firearms at Black Lives Matter marchers were rewarded with a speaking spot at the Convention.” She ends: “fear and suspicion cannot be the means by which this country is controlled”, then adds, “That isn’t how America remains America.”

This is not disturbing. It is not politics. This is the secret meaning–which you have to dig deep into the web to find–of Trump not being a statesman: an animal, perhaps, but not a political animal. He is not a politician. He is not available to the bodysnatchers.

Deleuze writes about something called ‘control society.’ [here] He didn’t have this in mind. He had in mind the autoveillant society of self-scoring on performance and psychic investment in types of scoring, ranking and measuring, in individualist competition–as a form of control belonging to the sort of capitalism we have come to think of as neo- or neuro-liberalism.

Here is a quote from “Postscript on the Societies of Control:”

…the factory was already familiar with the system of bonuses, but the corporation works more deeply to impose a modulation of each salary, in states of perpetual metastability that operate through challenges, contests, and highly comic group sessions. If the most idiotic television game shows are so successful, it’s because they express the corporate situation with great precision. [which we can extend to the US Presidency]

On a banner–another banner–in the background of a photo of Joseph Goebbels, 18 February 1943: something I have not seen before in association with Total War–Totaler Krieg – Kürzester Krieg.

Shortest War.

Totaler Krieg. In his speech, pictured below, courtesy of the commons, Goebbels asked those at the convention–another convention–whether a war was wanted more total and more radical than anything even yet imagined.

totaler und radikaler, als wir ihn uns heute überhaupt erst vorstellen können?

You notice that the spelling of totaler remains the same whether it means more total or just total–the German for a total war is ein totaler Krieg.

What the banner then reads is in English not Total War–Shortest War but The More Total War [is the] Shortest War.

Goebbels had earlier referred to the depraved and perverted threat of Bolsheviks and Jews facing Germany–not unlike the threat of the pedophiles and cannibals (and cosmopolitan élites) facing America.

By Bundesarchiv, Bild 183-J05235 / Schwahn / CC-BY-SA 3.0, CC BY-SA 3.0 de, https://commons.wikimedia.org/w/index.php?curid=5434259

Goebbels–at least as far as the banner speaks for him–therefore goes further than von Clausewitz in announcing not a total war–opposable to a limited war–but a more total war.

If you look at the online entry, you will see that the idea of a total war going beyond the political and diplomatic objectives to be achieved by a limited war–going all the way to ideological conflict and achieving an ideological victory, or victory of the idea–is linked by Brittanica.com to Goebbels’s announcement in his speech of February 18 1943. Except that he didn’t announce or ask the conference whether a total war was wanted and neither did the banner behind him advert to a total war being the shortest.

The question then is what is a more total war than one achieving the victory of an idea?

The other question is, with whom is it to be achieved–so that

ham’ se alle Ja geschrien–

they all cried YES.

…? perhaps it is this list from US Poet Laureate Juan Felipe Herrera:

those who fight for you

write for you live for you act for you study for you dance for you

parade for you paint and construct for you carry for you build you

inform you feed you nanny you clean you vacuum for you swipe

the grease off your clothes chef for you serve you teach you carry

carry you rock you to sleep and console you

— from “You Just Don’t Talk About It,” Juan Felipe Herrera, in Every Day We Get More Illegal, 2020.

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day 38

Who wins from the complete re-orientation to data as standard of value for the global economy? who, in the completion of this process I wrote about in the previous post?

As is perfectly expectable but quite unbelievable for a philosopher not a pulp fiction writer–but perhaps he himself would contest contesting or policing the distinction–Žižek’s COVID-19 book is out. I remember Welcome to the Desert of the Real, after the 2001 attacks, taking up Baudrillard, who had taken up Deleuze and Guattari’s formula, what would be called a meme today, writing 9/11 never happened. (D & G: ’68 never happened.) “But Pandemic!: Covid-19 Shakes the World is thin on humour. ” writes Yohann Koshy for the Guardian. And thin on this kind of scalpel-sharp kind of humour, this oyster-shucking humour–the kind that flipping back and forth, puts the oyster back in isolation, violently extracts it. Puts it back in.

It is left to something or someone called Medium (Julio Vincent Gambuto) syndicating to the Milwaukee Independent to say it never did: “A carless Los Angeles has clear blue skies as pollution has simply stopped. In a quiet New York, you can hear the birds chirp in the middle of Madison Avenue. Coyotes have been spotted on the Golden Gate Bridge.” Welcome to the deserted real of post-Chernobyl-like re-wilding.

J. walking on the northern ridges above the Hauraki Gulf, looking down on the bays, saw the seas begin to boil, saw flights of birds a thousand, two thousand of them, descend from the hills and skies. Black shadows had corralled kingfish and kahawai as effectively as a net. The orca ringfenced the bigger fish and schools of smaller fish they were and continued to poach on. The boiling seas extended from bay to bay.

She crossed to the southern side of the island, again patches of calm water began to agitate. A guy chucked in a line, lost his hook. Tried again. Lost the hook again. The fish too big. A third time, he pulled in kahawai 2 foot long.

Žižek’s book says wait for the recession. It repeats Adbusters, who call it 1929 come again. They call for Occupy 2 in response. And for those able to give to foodbanks. They end, Let the bosses know, if they fuck us, we multiply.

Who wins from the migration of media–of total human cultural media, of what we might call the apex predators of human cultural mediation–online?

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days 21, 22: or an institution is defined by its freedoms

Now when it comes to community do we not normally consider it to be ours?

When we think of it are we not drawn to think of community as this one in particular of which we are a part, to which we belong?

And then when the association is invoked, of other communities having a claim to our attention, is it not normal to think of them being like ours, composed of men and women, of rainbows and children? That is to say LGBTIQ communities now want to be thought of as communities just like any other, just like ours, because we are them. So it is not facetious to talk about the rainbow community, of community as being inclusive, universal and… possibly absolute?

The communities that suffer suffer through causes external. They do not suffer through any inequality but that it is imposed from some outside cause.

We think of our community and we award it qualities we wish to see replicated in others, or we wish in our communities for those qualities to be replicated we see in others.

And when one says others one means communities of others not other’s: when community comes up it has normally the meaning that it is not other, not other than our own. It is meant to reduce differences. To equalise–opportunities to prosper, the opportunities to live and prosper of all those, all of us, who belong.

Spinoza writes that to any person nothing is more useful than another person. Because if their natures are in agreement together they are twice as powerful; and if they are to find a third whose nature agrees with theirs, thrice as powerful; and a fourth and fifth, and so on, and eventually a whole community as powerful as the sum of the number of members who belong to it. Or is it to the power of the number of members?

Spinoza doesn’t say. But it would make sense that a community’s power to be, which is how Spinoza understands power, as also its power to act is the sum of the differences it includes to the power of the number of individuals belonging to it. The rider would be that of the equalisation of differences, that we can put our differences aside in belonging and caring for community. But our differences still count here. We simply understand them as equivalences. Just as their community is like or is the same as ours, your differences are like or are the same as mine.

I am different in so many ways from you, and my friendship with you is not despite our differences, but sums them up in a greater unity with a greater power to be and act, a greater essence, that is to the power of us two.

So community is not the extension of relations necessary for the perpetuation of a race, people, class or genetic line but extends the advantage of friendship to a larger group of individuals.

So community includes friends as well: it includes the differences friends set aside for the enjoyment of the friendship, which is that of a greater power to be, to exist, as Spinoza says.

Now we understand community also from an evolutionary perspective. We think of it as a survival tactic, increasing our power to survive. We agree we need to unite in our community against a common foe; we agree to agree. And this before any need is our genetic advantage.

Humans form organisations taking in numbers of individuals of both genders impossible for other primates which makes human communities capable of defending themselves against apex predators. Other primate species are not so gifted at this: sexual competition for gene continuation leads to internal competition impossible to reconcile, to the internal predation of males on males. Experiments with chimpanzees in captivity have shown that their communities do not have the human capacity for setting aside the claims of sexual competition. Disagreements over who has a claim over whom have led to the devastation of their communities in human captivity. On the other hand, humans can unite into a single organism. Claims are not neutralised but one’s claim to the preservation of one’s genetic line can be seen to be the equivalent of an other’s; and at the ultimate this equivalence is a right to life, since it serves to the preservation of life.

And it serves to a right to life beyond the individual.

Now by individual, do we not normally mean the one who says I, who can say of herself I am, who can speak of himself in what grammarians call the first person?

Human individuality has a special status. Is it perhaps derived from the human propensity to communal organisation? and the attendant evolutionary advantages?

It is not like the individuality of blade of grass or grain of sand or mountain, river or blue whale. Rather than equivalent, these are interchangeable. One blue whale is worth another, down to the last few. One blade of grass is able to be substituted for another without the first being too much missed–unless it was the first, or most perfect, or ideal blade of grass. But every human individual is the first, most perfect and ideal example of human individuality. It is absolute.

We do not pit individuals against communities. We do not set the differences individuals can claim to absolutise them against the communities which make those differences equivalent in absolutising themselves, communities in fact which amplify those differences to the power of the number of their members; communities which are, like the individuals belonging to them, regardless of their number or their differences, in their absolute-ness absolutely equivalent.

I am like you, I am as they say because you are; we are like (plural) you, we are because (inclusive) we are.

But is to consider oneself an individual to consider one’s qualities as like an other’s? One is an individual inasmuch as one’s qualities are thought to be unique. They have arisen out of internal causes in which we can count our communities. These are our good qualities; our bad qualities however are said to have arisen from external causes–in which we cannot count our communities.

I wrote here of those who cast their problems at society that they do so out of inadequate understanding of their causes. That we can try to understand but that it would be unlikely for us to be given credit, or for us to win their credence, for us to be thanked, or for them to be grateful for our understanding on their behalf.

But this is the presumption which exists in that of the equivalence of our differences, whether differences between communities, or among individuals, where differences are not interchangeable: human individuality seems to be an absolute of a different order than human community. It might seem to have been hasty to have suggested community is or could be absolute.

If it was hasty to suggest human community is absolute, does this also obtain for the evolutionary advantage of forming a community?

What possible evolutionary advantage can be maintained for human individuality?

What stake do we set on it now?

Do we consider it to be an evolutionary liability?

Or is the idea of absolute individuality equally at fault?

Now I wrote at the end of this post that society is defined by the problems attributed to it.

Neither is it impugned by the problems attributed to it, nor, as Thatcher said, does it cease to exist.

We are more likely to attribute the problems we face in our communities to society than we are to attribute to it the problems we face as individuals. They are not one the same.

Problems faced by communities that are cast at society have a general equivalence. They could so easily be faced by our community, by mine or yours.

But problems faced by individuals do not. My problem is not interchangeable with yours.

Individual problems are in this way effaced by community problems.

Your problem is not and you cannot let it be exchanged with an other’s or lumped in with those of a community. With the absolute identity of a community. A community is never a community of others but a community of consent. In this consists its absolutism.

Now society is defined by the problems we have. Not together. We have never been together. Noone should ask us to be together. We should not unite.

To each granted what is common to all; from all excluded what is unique to each.

This law of exclusion is society’s. But it is in a deeper sense community’s law, its rule being there has never been a community of others but that it has been assumed to be the same.

I have been troubled by the convenience of the term biopolitics for the political emergence, emergency, we seem to be living through in the current state of exception, emergency. And what is troubling seems to be tied to a social emergence. But one that is buried. Was in fact buried approximately 35 years ago. Because it was relayed to the infrasocial emergence of communities of difference from the extrasocial politics producing difference. That is it was diverted. Was a diverted social passion, as Lordon calls politics.

Arthur Kroker, from a recent post to <<empyre>> here, seems to have provided a more adequate term in biofascism–on which we can catch the faint scent of community and communicability, and transmission, as being the problem.

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enjoy your resurrection, day 17, into day 18

Once resurrected then what?

And what bits will be and which won’t?

What will society lose? the weakest and most vulnerable?

…or the sense that they are… having lost the sense of their welfare being our responsibility and of our meaning society.

There may never have been any society in general. But it is just as true to say there may never have been any body in general.

Of course there is the external society.

Of course there is the external body.

But neither the body nor society are relations to true externalities–until they include the experience of a society-of-others and a body-as-other.

Just this, or that which Lingis calls in his eponymous work the community of those who have nothing in common, is what is meant by bearing responsibility for the weakest and most vulnerable. And we might say making accountable the strongest and most powerful.

When do we experience the otherness of the body? When we are deprived of the touch of the other. Our own limbs start to feel eerily bereft as if they have lost touch with the sense they made before. Why did I have this hand if not to caress? Was it always meant to tap tap tap at the keyboard, to turn the pages, to work the remote, to slice and dice, to be endlessly scrubbed?

When do we experience the otherness of the body? When part of it is infected. Or afflicted. It is the opposite of a phantom limb. A dead limb. An arm in a cast. A dismembered member. A face, even, swollen and strange, only the eyes recognisable as our own.

When do we experience the otherness of society? When every other person we meet might be the potential carrier of a disease.

When part of it is infected. Or afflicted. …Perhaps even when part of society is afflicted with being weak, or poor, or vulnerable, we experience its otherness.

When we feel power over a part of society we are haunted by the feeling that we are the same as them. We want to deny it. Sometimes we can. Sometimes we cannot.

Levinas writes that this is the response to the address the other makes, the imperative she places on us to respond, and as Lingis takes on this thought, it is the stranger, the diseased one in the street, who reaches out his hand to us… making us responsible. Sometimes we can deny it. We might turn around to make sure we are not being seen turning away. Sometimes we cannot. We are haunted by that sick face… haunted by our own powerlessness to help. But what really were we being called on to do?

All we are being asked to do in order to get through the absence of treatment for COVID-19 is to treat society as infected.

We are not asked to deny those parts of society infected exist.

We are asked to cut them off.

resurrected, what will that do?

Fisher wrote that we are haunted by futures, our futures sometimes imagined glorious, sometimes perfidious, the possibility of which actually occurring is absent.

They are the phantom limbs of our current society, of our current social organisation. And they itch. And we scratch. A literary scratch there. A cinematic one here. Utopian here. Dystopian there.

At least we can take refuge in the thought we were not responsible and are not accountable for the not-coming-to-pass of futures, global, environmental or social.

We can take refuge in the thought we are responsible and accountable only for our individual ones. That we did not put away savings for a son or daughter; that we did not buy health insurance… that our private dream was never realised …

But this presence of those present who are cut off because infected…

can we take refuge in the thought we were forced to

cut them off?

(Thank you Gloria Chan-Sook Kim whose phrase ‘phantom touch’ in a post to the <<empyre>> listserv gave occasion to think these thoughts.)

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we must in a world we cannot, days 10, 11 & 12, 13

I have moved some of my comments onto the <<empyre>> listserv this past several days, named a soft_skinned_space by Melinda Rackham its founder, in Melbourne, 2002, now based at Cornell.

I was moved to pass on Levi Bryant’s article “A World is Ending,” and to point to what I had already written into and out of squarewhiteworld.

Bryant wrote a beautiful book on Deleuze’s Difference and Repetition, with the best explanation of the three syntheses of time.

“A World is Ending,” rather than a philosophical response, is the response of an academic professorial chair to COVID 19, a chair the pandemic, in its impact on Bryant, had made so spikily uncomfortable, “A World is Ending” talks of a before and an after, much as there was a before and after to history, according to Fukuyama, to which the attacks on New York’s Twin Towers come after.

“A World is Ending” does talk philosophy. Kant’s shadow falls heavily over the whole thing. And it is because of him, his transcendental framework, and Heidegger’s world worlding, that we can get anywhere close to one ending.

The carpentry of the world is coming apart. The unity and continuity on which we can support objects has gone skew-whiff, like a set of shelves, or, the heart of the girl in Lloyd Cole’s song, like crazy paving, upside down and back to front.

And not least the things at the market have taken on some alarming characteristics: each one is morbidly fascinating, as it steps up to threaten us, in its own right addressing itself to us with the demands of its potential toxicity. It has become unfamiliar and alien.

Rather than transcendental it is now in Levinas’s terms transcendent. A world is ending when common things transcend our ability to comprehend them.

This is not to say I don’t love the reading of the super market in fragmentation. But it is the case in exactly a transcendental sense. At least this is what I think Deleuze describes with his failure of time’s third synthesis, the synthesis of the future, which would ground the first two syntheses of time, and orientate the world to the continuity of the future, to it being continuous with past and present, a time making sense of our life’s journeys retroactively–but it can’t, it can’t make this kind of sense, if anything new is to come out of something as big as a world ending, or even for a window to open a crack, letting in a little fresh air.

The super market. The wiping of hands. The wringing of hands. And the breath restricted to recirculation in our masks. Our masks.

An empyre contributor, Gary, came back with this paragraph from Merleau-Ponty, in a letter to Sartre, 1953:

I have in no way renounced writing on politics… What I have decided to do since the Korean War is a very different thing. I have decided to refrain from writing on events as they are unfolding. This has to do with reasons that belonged to that period, and also with reasons that are permanent. … I have suggested a number of times that what the journal [Les Temps Modernes] should be doing is not take hasty positions, but rather propose lengthy studies. … What I had in mind was to act as writers, a type of action that consists in a back and forth between the event and the general line, and which does not simply consist in confronting every event (in imaginary fashion) as though it was decisive, unique and irreparable. This method is much closer to politics than your method of ‘engagement continue’ [continuous engagement] (in the Cartesian sense). Indeed, precisely in that sense, it is more philosophical, because the distance it creates between the event and the judgement one passes on it defuses the trap of the event…

And they are clearly right, Merleau-Ponty and Gary. This advice is something Sartre would never follow.

But I was moved to ask Gary through the door opened by Bryant’s world ending, his chair against the door, whether the notion of politics when applied to today’s conduct of politics by governments might not, like the before and after, and like Fukuyama’s history’s end, be an exaggeration? An emplaced exaggeration, and I would say for that reason a theatrical exaggeration?

(But this is to follow on in a groove I have spared you from, writing in my other writing.)

Time has intervened, synthesised, opened out again, chairs have moved on the decks, deckchairs, dreck has shifted. To one side. And we’re offbalance again.

We watched Funny Games. If you recall, the action ramps up quite rapidly.

It’s eggs. Eggs dropping from whitegloved hands. Sound familiar?

Communications cut off for our hero family unit. George the son. The failure of the pater familias to read the writing on the wall….

It should remind you to retrace, retroactively making sense of, the course of events: Is the significant lapsus the father’s to pick up on the signals the mother is sending?

Is this what launches the entire family unit into tragedy?

Very quickly, in Anouilh’s definition of tragedy, the spring that is wound up tight uncoils. Fate becomes ineluctable. Delivered as if by a clockwork mechanism.

The philosophically inclined will see here the cosmos in its clockwork continuity. Chairs rotating. Musical chairs. Before … the playing of dice with the universe. Indeterminacy. Or uncertainty. Bohr or Heisenberg.

But it should remind us to take care.

Or should it?

This is not Heidegger’s care.

It is the crayfish noticing the water growing warmer.

The mother getting some kind of formal organic inkling that things, that oceans ought not be warming, that this big stainless steel pot of self isolation and social distancing, in which we have let ourselves be immersed, ought not be getting awful hot…

What I had to say on <<empyre>> to Gary, and Merleau-Ponty, Sartre, Heidegger, Kant was that there is a representative layer, a gestural level, to this whole boiling water thing going on underneath.

There are signs of it in the apologetic tone struck by our own PM: government departing from the script, economies fragmenting: between the economies of the many and economies of social atomies.

But more than this more than this when is it clear we have to get out … ?

And quite apart from the moralising imperatives of the We must kind, who say, after this We must save the planet… We must…love each other well… We must…act like it’s after and not before, like history has not ever ended before and re-started. We must see finally see neoliberal we-musts for the ideological interpellations they always already were. (Even Trump says this.) We have seen the global economy get stopped. We must acknowledge that… We can make it stop. This endless despoliation of the globe. This endless devastation of the social sphere. This pointless endless pointlessness.

We also watched Paolo Sorrentino’s The New Pope.

It is in every way sublime.

Not the Kantian sublime.

But care, take care, the forces are heating the water, despite themselves, good governments and bad governments, are apologising… lost moral compass… all those moral values we have been asked to call in to Crisis Line… when they are all middle class values.

Can we live in a world, I don’t know if I can, in which politics does not concern itself with the tragedy unfolding, says it cannot, cannot, while all around the critics and the commentators, less the media these days, but, well, that’s sad, another sadness to have to bear, all of them, tell politics what we must do and that we must do it … and that current events have shown we must.

With the blood heating or the blood cooling, the atmosphere, not even the atmosphere, is keeping pace with the global political climate: which is a climate, since 1946, scared of its own possibility, and the failure, and the prevarication, are as nothing compared to … the escalation, the mechanism wound up tight, ready for the spring to release, the water to heat…

Have you heard the screaming of the crayfish?

White gloves.

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day 8 or the impossible – goes into day 9 or CANNOT

Dear reader,

As you will by now already be aware, approximately 2 billion of earth’s human inhabitants have found themselves under voluntary or enforced, and everything along the continuum, home arrest, otherwise called ‘self isolation.’ These have also had foisted upon them a physical noncontact zone called ‘social distancing.’ As Prof. Chomsky has pointed out, see previous posts, social distancing is the normal state of affairs when everyone’s on a cellphone, locked, as Dr Leonard Cohen sings, into their ‘hopeless little screens.’

We have made, on this blog, two points:

1) the continuity of ‘cognitive bubbles’ with the now enforced or voluntary–and everything inbetween–bubbles we are expected to inhabit now, or those we have imposed by force on us, and everything inbetween (called foam or surf);

2) this is not life during wartime. It cannot be. In the same sense there has been no war since WWII.

How do states raise funds for war?

How do sovereign states raise the funds necessary to conduct war on other sovereign states? How do these sovereign states afford to mobilise themselves in defense?

On this the whole question would turn.

This: CANNOT.

Meaning: what cannot be done and what is impossible to do.

A state mobilised in its own defense, or in order to conduct war on another, can: rely on banks, issue its own government bonds, accrue debt, burdening future generations; depend on its people to support the cause, since they are what it represents, imposing higher taxes; control subsequent and consequent inflation by increasing the money supply–called today quantitative easing, and applied under an ongoing state of exception which makes peacetime states, under international fiscal directives, enact wartime austerities.

We know austerity to entail the privatisation of expensive public services and the selling of publicly owned state assets, fixed, like hospitals and schools, energy infrastructures and telecommunications networks, and working, circulating in labour markets, made to circulate, undercut and degraded and underpaid, but not only for profit. For in fact states to unburden themselves, and to incapacitate themselves, so as to be fleet, agile and adaptive; so as to move to a more managerial stance; and to the increase of economic capacity.

In the eventuality of war or of a mobilisation being called for to fight the scourges of drugs, terrorism or contagious disease, do we imagine states reburdening themselves with heavy responsibility? Or do we imagine a managerial stance to continue and a chain unfolding, like a Jacob’s Ladder, down through the level of service provision, through supervisors, branch managers to the frontline staff, where each divests unto the next above?

The Bluebridge frontline staffmember, with the magenta hair, told us in Picton, despite the extenuating circumstance of having been required to be present at 6am, on a Saturday, with others suffering the same circumstance, when, on a Saturday, there is no ferry sailing, that she could only go on what her supervisor had told her. The list for standbys would be made up at 11am. And not before. Our presence was required to be resumed if we hoped to go on the list.

To ask different of her, to be angry, is simply untoward. She cannot do any different than she has, and she cannot have done.

This was the time, contemplating the Cook Strait separating South from North Islands of our small Pacific nation, we felt like immigrants in wartime. Watching perhaps the last sailing.

The situation was of course complicated by the other service provider–Bluebridge does not have a monopoly–which, when approached, informed us of a limit of 200 per sailing. On boats with over a thousand capacity.

We retain the nomenclature ‘essential industry.’ But in truth, in modern wartime as in modern peacetime, can there be any requisitioning of such industry?

Would this not be the ideological crime called out by the current US President, the Orange Thing (not to speak of the other South American Thing [a Coisa]), as being a Chavez-ism?

And we are reminded of all those times there has been an absence of recourse, the Jacob’s Ladder having pursued its downwards trajectory which somehow looks to be upwards, from the underpaid, underinformed, almost mostly unformed frontline staff, when they told us this or that rationally available course of action was foreclosed. And not only that but as a line of rational inquiry, or one of argument, it was censurable.

At stake in the impossible of the it cannot be done is then the virtual category of capacity. It is not that the state is incapable in its current mobilisation. There is no capability at all.

Dear reader,

There is no capability at all left in its institutions.

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