“He suddenly turns on her, devours her, bringing down the whole system.” — Catherine Keller & — the perennial production of the cause of its downfall from the conditions which produced the state form

who does? the violent man-emperor

who is? that for whom the merchants weep . . . in the porno of the human condition, the market where it is traded as commodity . . .

Catherine Keller, here

Jesus, hanging there, captive audience, says, John, tells him, the youngest disciple, son of Zebedee and Mary Salome,

Mary Salome
— Rogier van der Weyden, Mary Salome detail in The Descent from the Cross, 14th C.

possibly Jesus’ mum’s sister, so this is Jesus telling his cousin and his mum’s nephew, that he’s to look after Mary, Mum.

J, M & John
— here’s John supporting Mary in Rogier van der Weyden’s sublime Crucifixion, c. 1460

Which he does. In a little house outside of modern Selçuk, a long walk, a shorter drive, from Ephesus, both Mary’s house and Ephesus sites of hyperindustrial tourism (see here and here [for the miracle of Para Para Para and the miraculous snap]).

This is also John who is granted a vision on Patmos where he’s been sent into exile and writes The Book of Revelation, The Book of the Apocalypse, which Keller is talking about, saying that apocalypse includes the revelation that the beast-violent-man-emperor turns on the market (feminised and commodified and so personified) and eats her.

As Keller points out, it’s not prophecy. It’s the perennial production of the cause of its downfall from the conditions which produced the state form, in the figure who, although the stress is put on the more colourful sexy market, couldn’t be clearer, the Violent Man-Emperor.