… Baba Yaga is also the name used by an Ukrainian aerial reconnaissance unit under the command of Ruslan Mazovetsky, known as “Barmaley.”
At the end of Claire Dederer’s Monsters: A Fan’s Dilemma two things happen. Dederer admits to her own monstrosity. She’s a drunk. The other thing is less predictable, Mark Fisher. Fisher lets her off the hook because it’s the system to blame for making us think our ethical decisions–who is deserving of cultural approbation and who of opprobrium and cancellation–are important.
The system makes us individual consumers, us consumers individuals. We are individuated as nothing other. And so the system elevates our individual choices to the level of ethical decisions. It makes them mean something but all the system is really doing by making whether we can stand to watch a Polanski film knowing what he did seem important is reinforcing the only choices it allows us, to consume or not.
Whether yes or no, our vote is for the system. Saying we have ethical responsibility as consumers limits ethical responsibility to consumption. Nothing more.
Cancellation is another spin. It doesn’t remove Woody Allen from the mix. The only freedom is to consume
,
still, what does this say about the freedom we afford the art monsters with whom most of Dederer’s book is consumed?
What has this to do, rather than with its cancellation, with the creation of culture?
— Dora Maar, Portrait d’Ubu, 1936
“Allow me to mention here that a stupid girl, one who spends the whole day picking her nose and lazing on the stove, and eventually becomes a princess or a queen, is completely unthinkable in fairytales! The imagination of folktale-tellers created an equivalent of male heroism in the characters of Slavic Amazons (the Russian Sineglazka or the ‘Giant Girls’, Div-devojke, in Serbian folksongs), but grubby, idle, and stupid girls are usually punished with death. Wealth, a throne and love are only conceivable as rewards for grubby, idle, stupid guys!”
― Dubravka Ugrešić, Baba Yaga Laid an Egg, trans. MS Ellen Elias-Bursac, 2011
