Spong chose to make these works using the process of investment casting, whereby the cast object retains a more intimate material presence. Rather than pouring the molten bronze into a wax mould of the apple, it floods the apple itself within a ceramic shell, immediately eviscerating it, swallowing it, flesh, skin, and stem, into hardening metal. The organic matter of the apple itself is no longer, though nor is it destroyed. Via such a sacrifice it has also been enshrined within the bronze–if not in microscopic traces of its ash, then surely in spirit.
— as above and from here
on the subjects of evisceration and investment, this time of art itself, riseart website offers examples of the works it has for sale as they might look in your own home, on the wall above your bureau, by the lamp, against a dark background or a light one and so on. Here are some featuring the work of Noah Borger. Born in 1970, the site calls Borger one of the hottest street artists of the moment, just so you know you’re making an investment in something with cred.
— Noah Borger, Reticular, Denticular
… here is the template for room 5. Imagine the above right there.
— Noah Borger, Gentleman Face One
… and here’s room 3.
— Noah Borger, devil from Ukraine … or imagine this one, room 3 or 5, your choice.
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