A Hoke Moseley Novel

Donald E. Westlake asks in his introduction to Charles Willeford’s The Way We Die Now… Well he starts out by saying “I knew Willeford some,” and knowing Willeford some he found him to be secure in his persona and to have attained a calm plateau that his character Hoke Moseley had in no way attained. And then he asks where the character came from. Since Willeford had laboured away without the world giving much notice to his well-wrought, well-written books, it’s there Westlake thinks. Hoke Moseley had his genesis in the wilderness.

His career might stutter along in obscurity, but the books were solid. And I think the only way he could go on doing that, year after year, without either giving up or turning bitter, was that he trained himself to know that the work was very important but at the same time it didn’t matter at all. And the extension from that was that all of life was very important but at the same time it didn’t matter at all. I believe that particular self-induced schizophrenia got Willeford through the lean years and let him keep writing, and I believe it ultimately produced Hoke Moseley, who doesn’t so much share that worldview as live it.

…looking for a visual reference for this post I hit on the wiki entry and the quote below, from David Cochran, America Noir: Underground Writers and Filmmakers of the Postwar Era:

Willeford created a world in which the predatory cannibalism of American capitalism provides the model for all human relations, in which the American success ethic mercilessly casts aside all who are unable or unwilling to compete, and in which the innate human appreciation of artistic beauty is cruelly distorted by the exigencies of mass culture.

I really, genuinely wanted to be published in shabby pocket-sized editions and be neglected—and then discovered and vindicated when I was fifty. To honor, by doing so, Charles Willeford and Philip K. Dick and Patricia Highsmith and Thomas Disch, these exiles within their own culture. I felt that was the only honorable path.

— Jonathan Lethem [- from here]