In its embrace of modern art we see the positivity of a society, its embrace of progress, towards radical transformation, towards freeing all that is good, vital and creative. This is the soil in which it grows and the opposite of any notion of financial growth, of economic vitality, of entrepreneurial creativity; the opposite of technological progress, the popular embrace of art at its most progressive, of art that is most out-there, shows a society wanting to liberate itself from the grip of mercantilism, and from its enslavement under the capitalist exploitation of labour: the popularity of the avant-garde is a sign that it is the avant-garde. In its embrace is a sign of change and a sign of the embrace of social change.
— this occurred to me on re-reading an earlier post with excerpts from Antoni Tàpies’s Fragments for an Autobiography.
…of course it’s as difficult to find art that is opposed to entrepreneurialism, that opposes financial gain and commercial success, as it is to discover its popularity in broader society.
Enrique Vila-Matas wrote a book about the search for art so opposed, The Illogic of Kassel. I stole some bits of it and posted them here.
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