this in common
poem is problem
and this
very important
a sort of program
gathering of words
conjunctives
as substantives
of types
of syntactical moments
of verbal tonalities
the alternate face
here widened
towards the obscure
scintillating
with certainty of a
phenomenon
not a thought but
process of thought
mirror-like
refraction
of the human
end
in itself
end
of itself
end
germ
of an infinity
of horrors
reserves in one’s thoughts
hidden intention
charlatanism
addressing an audience
addressing a public
whom shall I kill
synthesis of all the vertigoes
dictation of memoirs
history of mind
absurd by what it seeks
great by what it finds
every beginning
coincidence
I don’t know what
sort of contact between all
and nothing
three words
two words
the tomb of the poet Edward
this girl couldn’t be buried
buried on a moonlit night
the dead girl’s name
Narcissa
who found himself so
in his reflection
the cyclical and repetitive functions of life
take love where it has never been
to the end
of the will to
killed his puppet
his puppet killed
in favor of a poetry
claiming autonomy
through critical self-reference
claims
to repressing the developments of intelligence
to depreciating the value of pure research
to taking often atrocious measures against
who consecrated themselves to these things
to favoring
even as far as endowed chairs and laboratories
worshippers of the idol
to the detriment
independent creators
spiritual richness
and they have imposed on the arts
on the sciences
the utilitarian ends which a power
founded on declamations and terror
pursues
praise of Bergson
sameness within vast
elusive differences
[all of which, on the poet Paul Valéry
1871-1945, you can read here.]
