… why? because it’s open. Which means that unlike, for example, GPS, it is not owned and controlled by the U.S. military or other governments, government agencies, network companies or ‘providers.’
Here it is working:
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work pieces series by simon taylor
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& other transports, below- Lecture on Reflective Writing–delivered AUT 3.8.2021
- theatre | …: first half in epistolary form
- 10 lectures on theory & context, moving image & digital media delivered AUT 1 March – 24 May 2022
- Japan / Nihon / 日本国: 15 June 2019 – 25 June 2019 [including Deleuze|Guattari Studies Asia 7th International Conference & Camp]
- WAY OUT: Deleuze and Guattari go outside
- 28.07.2018 – 07.08.2018 Japan – Kansai
- A visual diary, 2015, with a few words (an index to posts in chronological order): Tokyo, Stockholm (8th International Deleuze Studies Conference, Daughers of Chaos), Copenhagen, Berlin, Vancouver, Waiheke
- Hollyford Track, December 2015
- Japan Journal, 2014 – links to posts listed in chronological order
- a chronological & paginated index to posts on tour in 2010
- C O M P A N Y
Dear Visitor(2009)- The Ministry of Destinies
- end of dreaming
- a short series up to christmas [2021]
- ancestry
- only
- sketches of Kawaeranga
- to you of all people
- THIS IS THE WAY IT ENDS
- A Piece of Fabric
- recoil–a kind of record: in 31 weeks
- COME TO NOTHING
- MOIETIES
- NOT MEANING ANYTHING
- NOT THAT BEAUTIFUL
- ‘in your shadow the world was on fire’
- ‘The Buttock’ and ‘The Bread’
- A Drop
- A Fort
- A light and a radio
- At the Café
- Cathedral Steps
- Charming Little Town
- Civilization
- Difficult Work
- Fever
- General Brother
- Help
- I Died
- Jack’s Cage
- Middle Management
- Preparations for Transport
- Red Dog Row, or The Eye
- The Captain’s Table
- The Children
- The Chinese Man
- The Clouds
- The Earthquakes
- The End
- The Engine Room
- The Experiment
- The Gate
- The Heart
- The Land War
- The Mezzanine
- The Mill Girl
- The Ornament
- The Past
- The President Elect of the United States of America
- The Prime Minister of New Zealand
- The Sea-egg
- The Sickle Heart
- The Studio
- The Theatre
- This Evening
- To Do
- Transport 1
- White Peace
- 2010 – 2012
- KAUKAPAKAPA CEMETERY GARDEN AREA B BURIAL Block 1 Row 2 Plot 30 Seq 1 & 2
- Ianthe Victoria Taylor 1939 – 2012
- thank you for your sympathy in our time of sorrow
- Anthony Frederick Taylor 1937 – 2009
- My Father, Oedipus
- TAYLOR ARCHIVE
- Travesties, Downstage, 1977
- East Lynne (double bill with Music Hall, Palace of Varieties), Downstage, 1977
- Bingo, Downstage, 1978
- The Merchant of Venice, Downstage, 1978
- Heroes and Butterflies, Downstage, 1978
- Candide, Downstage, 1978
- Summit Conference, Downstage, 1979
- Prisoners of Mother England, Downstage, 1979
- Deathtrap, Downstage, 1979
- Big and Little, Downstage, 1981
- Hamlet, Downstage, 1982
- Sherlock Holmes and the Curse of the Sign of Four, Downstage, 1982
- thank you for your sympathy in our time of sorrow
- Letter to the Prime Minister of New Zealand
- KAUKAPAKAPA CEMETERY GARDEN AREA B BURIAL Block 1 Row 2 Plot 30 Seq 1 & 2
- The Ministry of Destinies
- revisiting butoh
- distinctions without differences: between now and here and nowhere, Auckland, 08
AB – Creative & Professional Development Application 15928 : 118955 ‘Love Project 9’hereunder please find the text of the afore-struck application to Creative New Zealand for funding, sans letters in support, bios, curriculum vitae & pretty pictures- SEMELE I
- SEMELE II
- a theatre group called T-CELL
- Crime Oil: now available
- Invitation to an Opening, by way of an Introduction to The Separation Project [1998]
- Troy, in memoriam
- enantiomorphosis: the messianic
- QLIPPHOTH
- God was very lonely
- a face
- a small requiem for Beanie
- choruses
- Dark Veins 1r
- eros
- Grosser Appell
- He was not afraid
- no dice
- our stories in our own words
- TERROR TO THE GLORY
- THE CEMETERY OF PRINCIPLE
- The Cemetery of Principle
- the clearing-house effect, 01
- the clearing-house effect, 03
- the clearing-house effect, 05
- the clearing-house effect, 06
- the clearing-house effect, 07
- corpocracy and plaguology: some thoughts on “Digital Maoism”
- danae, or resistance
- say I & II
- RJF project
- belcher green: twelfth rendering
- list incomplete: seventh rendering
- not soap: thirteenth rendering
- on the square: eleventh rendering
- plateau’s problems: tenth rendering
- plateau: eighth rendering
- pumice: ninth rendering
- remove your fingers: fifth rendering
- RJF: third rendering
- saponification: first rendering
- soap: second rendering
- trostlos: sixth rendering
- under no illusions: fourth rendering
- STUDY FOR A PASSION: a working script in II Acts for 2 Actors
- RJF project
- say I & II
- treasure hunt
- the ease of fish that swim
- two rivers (fr. Sweetheart, over____)
- Upholstered People
- pique-assiettes
- for the lovely bones by alice sebold
- FOUND materials
- Alejandro Iglesias Rossi: the path with heart
- Declaration of Independence of NZ – He Whakaputanga o te Rangatiratanga o Nu Tireni
- Intellectuals and Power: a conversation between Foucault & Deleuze
- Marisa C. Hayes on Butoh Workshops at the Kazuo Ohno Dance Studio
- Morton, Timothy. Realist Magic: Objects, Ontology, Causality. 2013.
- our flag – Te Kara – te haki – te paki
- The Power of Facebook – free edition – by Peter Olsthoorn
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