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work pieces series by simon taylor

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  • profil
    • かわら
      • תְּהוֹם
        • O U T S I D E – L I G H T
          • Larkins and Holsts
        • T H E___D E E P
      • I SPOKE THUS [Christmas Day 2022]
        • a speech or song for Milly and Dan
        • in his image
    • Ἀκαδήμεια,
      M I N U S__T H E A T R E
      R E S E A R C H__G R O U P
      & other transports, _below
      • Lecture on Reflective Writing–delivered AUT 3.8.2021
        • Lecture on Academic Writing–delivered online for AUT 14.9.2021
          • 3 essays 3 endings: art research | theatre writing
      • theatre | …: first half in epistolary form
      • 10 lectures on theory & context, moving image & digital media delivered AUT 1 March – 24 May 2022
      • Japan / Nihon / 日本国: 15 June 2019 – 25 June 2019 [including Deleuze|Guattari Studies Asia 7th International Conference & Camp]
      • WAY OUT: Deleuze and Guattari go outside
      • 28.07.2018 – 07.08.2018 Japan – Kansai
      • A visual diary, 2015, with a few words (an index to posts in chronological order): Tokyo, Stockholm (8th International Deleuze Studies Conference, Daughers of Chaos), Copenhagen, Berlin, Vancouver, Waiheke
      • Hollyford Track, December 2015
      • Japan Journal, 2014 – links to posts listed in chronological order
      • a chronological & paginated index to posts on tour in 2010
  • C O M P A N Y
    • Dear Visitor (2009)
      • The Ministry of Destinies
        • end of dreaming
        • a short series up to christmas [2021]
        • ancestry
        • only
        • sketches of Kawaeranga
        • to you of all people
        • THIS IS THE WAY IT ENDS
          • lying in long grass
        • A Piece of Fabric
        • recoil–a kind of record: in 31 weeks
        • COME TO NOTHING
          • for John Ash, 29 June 1948 – 3 December 2019
          • introductions to poems that don’t exist
          • DEEPSTREAM JOURNAL
            • T Y P I N G
            • I
            • II
            • III
            • IV
            • V
            • VI
            • VII
            • VIII
            • IX
            • X
            • XI
            • XII
            • XIII
            • XIV
            • XV
            • XVI
            • XVII
          • A ruin
          • Castaway
          • Quick Song
          • Tell it to the birds
        • MOIETIES
          • 23 January 2013
          • a present, small piece for Z.
          • a gift to Jonathon & Ron
          • Ἐπιθαλάμιον
          • escalation
          • for Neill
          • M.
          • some lines from the Russian school for Raymond Boyce
          • a speech or song for Milly and Dan
          • Goodbye, Peter
          • piece for Dave
          • The Called Upon
          • fiance
        • NOT MEANING ANYTHING
          • A Lesson in Fashion
          • An earthquake
          • By the pool
          • Christmas
          • Contino
          • Hair Shanks Tobbyguppy
          • Holland Balland
          • My grandmother
          • My mind
          • On a beach
          • Poetry Was Dead
          • The Artisan of Prague
          • The carpark
          • the film maker
          • The Golden Age
          • The Harbour
          • The Human Breeding Programme
          • The mini
          • The Secessionist
          • Underage
        • NOT THAT BEAUTIFUL
          • ‘in your shadow the world was on fire’
          • ‘The Buttock’ and ‘The Bread’
          • A Drop
          • A Fort
          • A light and a radio
          • At the Café
          • Cathedral Steps
          • Charming Little Town
          • Civilization
          • Difficult Work
          • Fever
          • General Brother
          • Help
          • I Died
          • Jack’s Cage
          • Middle Management
          • Preparations for Transport
          • Red Dog Row, or The Eye
          • The Captain’s Table
          • The Children
          • The Chinese Man
          • The Clouds
          • The Earthquakes
          • The End
          • The Engine Room
          • The Experiment
          • The Gate
          • The Heart
          • The Land War
          • The Mezzanine
          • The Mill Girl
          • The Ornament
          • The Past
          • The President Elect of the United States of America
          • The Prime Minister of New Zealand
          • The Sea-egg
          • The Sickle Heart
          • The Studio
          • The Theatre
          • This Evening
          • To Do
          • Transport 1
          • White Peace
      • 2010 – 2012
        • KAUKAPAKAPA CEMETERY GARDEN AREA B BURIAL Block 1 Row 2 Plot 30 Seq 1 & 2
          • Ianthe Victoria Taylor 1939 – 2012
            • My Mother’s Birthday Party
          • thank you for your sympathy in our time of sorrow
          • Anthony Frederick Taylor 1937 – 2009
            • My Father, Oedipus
            • TAYLOR ARCHIVE
              • Travesties, Downstage, 1977
              • East Lynne (double bill with Music Hall, Palace of Varieties), Downstage, 1977
              • Bingo, Downstage, 1978
              • The Merchant of Venice, Downstage, 1978
              • Heroes and Butterflies, Downstage, 1978
              • Candide, Downstage, 1978
              • Summit Conference, Downstage, 1979
              • Prisoners of Mother England, Downstage, 1979
              • Deathtrap, Downstage, 1979
              • Big and Little, Downstage, 1981
              • Hamlet, Downstage, 1982
              • Sherlock Holmes and the Curse of the Sign of Four, Downstage, 1982
          • thank you for your sympathy in our time of sorrow
        • Letter to the Prime Minister of New Zealand
          • World City Christchurch – building a city for the future
  • revisiting butoh
  • distinctions without differences: between now and here and nowhere, Auckland, 08
    • AB – Creative & Professional Development Application 15928 : 118955 ‘Love Project 9’ hereunder please find the text of the afore-struck application to Creative New Zealand for funding, sans letters in support, bios, curriculum vitae & pretty pictures
      • The Love Project, LP9
    • SEMELE I
    • SEMELE II
      • 0.0
      • 1.1
      • 2.1
      • 3.2
      • 4.3
      • 5.5
    • a theatre group called T-CELL
    • Crime Oil: now available
      • #1
      • #2
      • #3
      • #4
      • #5
      • #6
    • Invitation to an Opening, by way of an Introduction to The Separation Project [1998]
      • I.i.
      • I.ii
      • I.iii
      • II.i
      • II.ii
      • II.iii
      • II.iv
      • II.v
      • II.vi
      • II.vii
      • III.i
      • III.ii
      • III.iii
      • III.iv
      • IV.i
      • IV.ii
      • IV.iii
      • IV.iv
      • IV.v
      • IV.vi
      • V.i
      • V.ii
      • V.iii
      • V.iv
      • V.v
    • Troy, in memoriam
  • enantiomorphosis: the messianic
    • “taking back the land” – song [c. 1992]
    • The Failure of the Old World [c. 1992]
    • MIRACULOUS DAY [fl. 1988-1990]
      • L’Enfance du Christ [Christmas Day 1989]
      • EATING THE BABY [Christmas Day 1988]
    • Against the Kingdom (c. 1995)
    • formulated song [c. 1994]
    • Hate and the Angel [c. 1985]
    • manifest from the 90s
    • New Zealand [c. 1992]
      • “cry all you want” [c. 1998]
    • the moon and the nettle [c. 1984]
  • QLIPPHOTH
    • God was very lonely
    • a face
    • a small requiem for Beanie
    • choruses
    • Dark Veins 1r
    • eros
      • Artemis variations
      • philomel
      • telemachus
    • Grosser Appell
    • He was not afraid
    • no dice
    • our stories in our own words
    • TERROR TO THE GLORY
      • about us
    • THE CEMETERY OF PRINCIPLE
      • POVERTY
      • SIMPLICITY
    • The Cemetery of Principle
    • the clearing-house effect, 01
      • SEVEN ELEVEN (November 2001)
    • the clearing-house effect, 03
      • N-SET – fragment
    • the clearing-house effect, 05
      • EwD – Experiments with Death – screenplay for digital feature
    • the clearing-house effect, 06
      • Sweetheart, over____
      • a short history of original thought in New Zealand – screenplay
      • piece of identity – monologue with slideshow
      • The Tilting Point – screenplay for a short film
    • the clearing-house effect, 07
      • corpocracy and plaguology: some thoughts on “Digital Maoism”
      • danae, or resistance
        • say I & II
          • RJF project
            • belcher green: twelfth rendering
            • list incomplete: seventh rendering
            • not soap: thirteenth rendering
            • on the square: eleventh rendering
            • plateau’s problems: tenth rendering
            • plateau: eighth rendering
              • from the notebooks for the RJF project/theory of half-mime – towards a methodology
                • RJF @ sf: working script
            • pumice: ninth rendering
            • remove your fingers: fifth rendering
            • RJF: third rendering
            • saponification: first rendering
            • soap: second rendering
            • trostlos: sixth rendering
            • under no illusions: fourth rendering
          • STUDY FOR A PASSION: a working script in II Acts for 2 Actors
      • treasure hunt
    • the ease of fish that swim
    • two rivers (fr. Sweetheart, over____)
      • the second room, Maria (fr. Sweetheart, over____)
      • the third room, sleep (fr. Sweetheart, over____)
      • the transport (fr. Sweetheart, over____)
      • verse 5 (fr. Sweetheart, over____)
        • the country I’m composed of (embedded sonnet)
    • Upholstered People
  • pique-assiettes
    • for the lovely bones by alice sebold
      • on alice sebold’s the lovely bones: pornography of the human condition, part 2
    • FOUND materials
      • Alejandro Iglesias Rossi: the path with heart
      • Declaration of Independence of NZ – He Whakaputanga o te Rangatiratanga o Nu Tireni
      • Intellectuals and Power: a conversation between Foucault & Deleuze
      • Marisa C. Hayes on Butoh Workshops at the Kazuo Ohno Dance Studio
      • Morton, Timothy. Realist Magic: Objects, Ontology, Causality. 2013.
      • our flag – Te Kara – te haki – te paki
      • The Power of Facebook – free edition – by Peter Olsthoorn

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