max stirner

Max Stirner
El único y su propiedad

Tercera edición cibernética, enero del 2003
Captura y diseño, Chantal López y Omar Cortés


Human or divine, as Stirner said, the predicates are the same whether they belong analytically to the divine being, or whether they are synthetically bound to the human form.

– Gilles Deleuze, The Logic of Sense, p. 122

Remember Max Stirner as the miraculous figure in Marcel Duchamp’s year in Munich, 1912, when such a change was wrought in the latter by Stirner’s Der Einzige und sein Eigentum (as Roberto Calasso says, the top pop title of that late great German romance with personhood), and a key invokee in the as yet unpublished Sweetheart, over____ (see pages opposite for selected verses).