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	<title>square white world</title>
	<link>http://squarewhiteworld.com</link>
	<description>work pieces by simon taylor</description>
	<lastBuildDate>Fri, 12 Mar 2010 05:13:59 +0000</lastBuildDate>
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		<title>&#8216;style is a personal form of originality&#8216; &#8211; Baudelaire; to the limit of all faculties &#8211; Deleuze&#8217;s Kant; truth is more important than art &#8211; Lord&#8217;s Giacometti</title>
		<description><![CDATA[The problem of vision for Giacometti was to find the style which would most amply and truly embody it. That is the problem, of course, of all art, and it is the cruelest problem of all, for it tests the personal resources of the artist beyond the limit of his capacity. The expression of truth [...]]]></description>
		<link>http://squarewhiteworld.com/2010/03/12/style-is-a-personal-form-of-originality-baudelaire-to-the-limit-of-all-faculties-deleuzes-kant-truth-is-more-important-than-art-lords-giacometti/</link>
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		<title>Better poetry with Benn, mit Beckmann, Dix and Hofmann</title>
		<description><![CDATA[
Nachtcafé
824: Der Frauen Liebe und Leben.
Das Cello trinkt rasch mal. Die Flöte
rülpst tief drei Takte lang: das schöne Abendbrot.
Die Trommel liest den Kriminalroman zu Ende.
Grüne Zähne, Pickel im Gesicht
winkt einer Lidrandentzündung.
Fett im Haar
spricht zu offenem Mund mit Rachenmandel
Glauge Liebe Hoffnung um den Hals.
Junger Kropf ist Sattelnase gut.
Er Bezahlt für sie drei Biere.
Bartflechte kauft Nelken,
Doppelkinn zu [...]]]></description>
		<link>http://squarewhiteworld.com/2010/03/10/better-poetry-with-benn-mit-beckmann-dix-and-hofmann/</link>
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		<title>Nicholas Fox Weber&#8217;s Balthus biography ruined by splashes of white vitriol, or, the Crac, cracks, a cat, a stilhetto, slits, a tit, one true line, more cracks, &amp; tragedy ending in a crime</title>
		<description><![CDATA[Baladine, Balthus&#8217;s mother, writes in a letter to her lover, Rilke, about her son&#8217;s teacher, Mr. P. The latter has in his possession a pastel by Balthus but is under the false impression that it is Baladine&#8217;s work. The preface referred to is by Rilke to Balthus&#8217;s bande dessinée, Mitsou.
The poor man was quite confused, [...]]]></description>
		<link>http://squarewhiteworld.com/2010/03/06/nicholas-fox-webers-balthus-biography-ruined-by-splashes-of-white-vitriol-or-the-crac-cracks-a-cat-a-stilhetto-slits-a-tit-one-true-line-more-cracks-crime/</link>
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		<title>Auckland Airport from the series Profane Icons</title>
		<description><![CDATA[
]]></description>
		<link>http://squarewhiteworld.com/2010/03/04/auckland-airport-from-the-series-profane-images/</link>
			</item>
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		<title>watermelon from the series Profane Icons</title>
		<description><![CDATA[
]]></description>
		<link>http://squarewhiteworld.com/2010/03/04/watermelon-from-the-series-profane-icons/</link>
			</item>
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		<title>Pauly, Condom Alley, 4/3/10</title>
		<description><![CDATA[
]]></description>
		<link>http://squarewhiteworld.com/2010/03/04/pauly-condom-alley-4310/</link>
			</item>
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		<title>you were so modular, Newmarket, from the Unisex Architecture series</title>
		<description><![CDATA[
]]></description>
		<link>http://squarewhiteworld.com/2010/03/04/you-were-so-modular-fort-st-from-the-unisex-architecture-series-2/</link>
			</item>
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		<title>you were so modular, Fort. St., from the Unisex Architecture series</title>
		<description><![CDATA[
]]></description>
		<link>http://squarewhiteworld.com/2010/03/04/you-were-so-modular-fort-st-from-the-unisex-architecture-series/</link>
			</item>
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		<title>&#8220;Why&#8217;d I do it?&#8221; A dialogue in broken English on the state of critical discourse in New Zealand as it appeared before the Smythe coterie at Theatreview, or, critical organ flaccid for fluffers in front of cultural grand canyon: &#8220;It started with a trickle&#8221; and sank without a ripple</title>
		<description><![CDATA[Below, to grow your viewing pleasure and to view my growing displeasure, please find a minimally edited copy of the exchange of comments ensuing from that already posted here in the preceding post. [link] Theatreview provided the venue for this unhappy episode, on the occasion of John Smythe&#8217;s review for Mary Stuart at Circa Theatre, [...]]]></description>
		<link>http://squarewhiteworld.com/2010/03/03/whyd-i-do-it-a-dialogue-in-broken-english-on-the-state-of-critical-discourse-in-new-zealand-as-it-appeared-before-the-smythe-coterie-at-theatreview-or-critical-organ-flaccid-for-fluffers-in-f/</link>
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		<title>cultural fluffers &amp; grand canyons, the former ending, the latter starting, with a trickle from the top. John Smythe reports from the front, saying, &#8220;It now runs very deep.&#8221;</title>
		<description><![CDATA[The following is a comment posted in response to John Smythe&#8217;s review of Ross Jolly&#8217;s production of Mary Stuart by Friedrich Schiller at Circa Theatre, Wellington. (Full review here.) 
A couple of statements stick out at odd angles from this review so I feel compelled to comment. To wit, the first line:
Since Shakespeare died many [...]]]></description>
		<link>http://squarewhiteworld.com/2010/03/01/cultural-fluffers-grand-canyons-the-former-ending-the-latter-starting-with-a-trickle-from-the-top-john-smythe-reports-from-the-front-saying-it-now-runs-very-deep/</link>
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