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more Igorrr postchickenism

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woob

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listen / hear

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what remains. Robert Shults’s The Washing Away of Wrongs. Decomposition.

– photo Robert Shults, from the series The Washing Away of Wrongs

Allison Meier: “clothing and personal items from suspected migrants found on the US-Mexico border”

(at Hyperallergic)

– photo Robert Shults, from the series The Washing Away of Wrongs

Allison Meier: “with flowers from a nearby tree fallen across a donor’s body”

(at Hyperallergic)

Photographer Robert Shults shot the series The Washing Away of Wrongs at the 26-acre Forensic Anthropology Centre of Texas State University, the world’s largest outdoor facility for the study of human decomposition through donated cadavers.

Robert Shults: …”a process virtually teeming with life as new microbiomes rise and fall during decomposition. There is an astounding range of plants and animals that depend on the donors’ bodies as a critical part of their own life cycle. As such, when I visit the facility, I don’t really feel the presence of death hanging over the ranch. Rather I get the most palpable sense I’ve felt anywhere of how an individual contributes to the lineage of natural history.” (from here)

The whole series is available here.

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The Warrior of Capestrano (Italian, 6th C. BCE)

– photo: Francesco Salerno

inscription on the sculpture (left strut) reads,

Me, a beautiful image made Aninis for King Nevio Pompuledio.

first known dedication to an artist. (from here)

 

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Heiner Müller’s instagram courtesy of n.1edicoes

...
anciency
Ἀκαδήμεια
CAPITAL CAPITAL CAPITAL
hommangerie
infemmarie
τραῦμα
National Scandal
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Trans-European Express

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this with Theatre with Audience the documentary about Andrzej Wirth are taking my thoughts about the next Minus Theatre (VMG) piece in the direction of playing to the land

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supermoneytrumpulism

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back to school black box recorder!

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thanks Anatoly — and Teresita Fernández for her broken & forthcoming amnesia

and here’s a link to a page that cites Teresita at length: click here

I am interested because I wrote this: “Improvement in technique comes rather with forgetting as an active power of letting go the past and remembering the future. The technique of forgetting technique as much as the technique of remembering the future can, paradoxically, be learnt: it may indeed be the sole presence of learning in the arts and its only knowledge.

hommangerie
imarginaleiro
immedia
infemmarie
luz es tiempo
pique-assiettes
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thigein & conatus

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