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Nick Tosches’s Jesus’ story, Under Tiberius, 2015, is the greatest story ever told ever–fulminative culmination, exundant

Old gods do die, and new gods do appear.

Under Tiberius, Nick Tosches, 2015, p. 34

I delivered my words with poetic grace and force, a single line in the dactylic hexameter of Homer, ending with an ancipital foot … It was … the rhythm and not the meaning of these simple words that struck with might …he who controls rhythm, controls.

— Ibid., p. 66

Asmodeus is called by the Book “the worst of demons,” …Except for the Satan, to whom allusion is made here and there in the Book, there is little concern in the Book for demons. And I wonder, if Asmodeus is said to be the worst of them, and he could neither seduce nor rape the woman Sarah, what menial piddlers these imagined demons must be.

— Ibid., p. 134

There is only one business. Call it what you would. Deceit. Greed. Filth. It is all the same. He who does business is he who lies. He who does business is he who steals. All business is shit, and he who does business is he who wallows in shit: eating it, regurgitating it, and, all the while, squealing deceit.

— Ibid., p. 236-7

If you bring forth what is within you, what you bring forth will save you. If you do not bring forth what is within you, what you do not bring forth will destroy you.

— Ibid., 253

Know thyself …

And then expel thy self … Real thy self. Let loose the shame of thy self.

The words of Jesus. The words of no other.

— Ibid., p. 257

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production of the fold is critical not only for resistance but for new possibilities from the event of bio-, neo- or neuroliberalism

…Deleuze picked up the notion of the fold from the Baroque and Leibniz, but it is Foucault who helped him develop a politically enabling understanding of the concept. In his book on Foucault, Deleuze discusses the way Foucault’s understanding of the fold developed after the first volume of the History of Sexuality and took shape with the subsequent two volumes. Recognizing how, after his first book, Foucault found himself at an impasse regarding how to find a relation to oneself in relation to power and knowledge, Deleuze sees how Foucault began to move beyond this impasse in subsequent books. In the second volume he begins to develop not a theory of the subject, but a theory of the fold as a force of subjectification, as a force bending in on itself, creating points of resistance. This folding enables resistance, as it produces ‘a specific or collective individuation relating to an event’.

— Frida Beckman, Gilles Deleuze: Critical Lives, Reaktion Books, London (2017), p. 63

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Ἀκαδήμεια
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Problematik
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thigein & conatus

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Puerto Rico’s Sol or Puertopia (if it didn’t translate as eternal boy): a new society founded by believers in virtual currency

proposed site for crypto-utopian city-within-a-city:

and:

Read “Making a Crypto Utopia in Puerto Rico” by Nellie Bowles 2/2/2018

 

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National Scandal
network critical
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n ears (with curious byplay of the ‘meeting room’)

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ears n ears

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for ears

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I wrote a play once with a character like this in it. It was called Ten Ton Dress

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3 quotes from Santiago Gamboa, sentiments for the season: illustrated with photographs by Sebastião Salgado

… beyond the borders of our beautiful countries there is a terrifying outside world filled with life, a black sun that stretches over a number of continents, only revealing its beauty after the first impact. What you see on the surface is horrible and cruel, but slowly the the beauty emerges; in our world, the surface is lovely and everything is bright and shiny, but with time what we see is the horror.

– Santiago Gamboa, Necropolis, trans. Howard Curtis, 2012, p. 446

… nothing of what we were then can be understood by anyone today, nobody believes in what we believed in; the things that were important to us provoke laughter or curiosity…

– ibid., p. 444

… the best way to live life to the full is to take it to the limits, putting your face in its deepest depths, its edges, its caverns and ruined palaces, only that way will we keep our bodies hot and our heads boiling with dreams …

– ibid., p. 447

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hommangerie
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celebrating Santiago Gamboa, as well as stating the obvious & wondering once again at the sentimental Left, melting even before it gets to the battlefield–were we fantasizing? grinning stupidly, terrifyingly

…the reasons someone who’s about to shoot another man thinks he has may vary, but the deed is the same, someone will press the trigger, and when the lead breaks the skin and drills into the cranium and damages a lobe and perforates it and opens a path in the brain, a life with a history and past will be cut short and a body transformed into a bloodstained mass that will fall to the ground, and that fact, which is horrible in itself and can’t in any way be explained or justified, makes all the reasons equivalent; in the middle of the twentieth century it was ideologies, then it was land or the control of resources, reserves of hydrocarbons. …

President Trump and Russian President Vladimir Putin talk during the family photo session at the APEC Summit in Danang, Vietnam, on Saturday.

Do you know the contemporary name for perversity? It’s democracy. If a chimpanzee with a drum becomes popular and amusing, he could be elected president.

– Santiago Gamboa, Night Prayers, trans. Howard Curtis, Europa Editions, 2016, p. 222

…the world wasn’t made for harmony and kindness, but quite the contrary, for confrontation. The world is a boxing ring, a battlefield. And you don’t go to battlefields with smiles and soft words, no, sir, you go armed to the teeth.

– ibid., p. 232

We played with madness (were we fantasizing?) until the afternoon gave my mouth the terrifying smile of the idiot.

– ibid., p. 290

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reminding you of … something … at the edge where true memory segues into false

and used to advertise on Titter a link to this.

who is the artist

who the model?

perhaps it reminds me of James Palumbo’s (aka Lord Palumbo of Southwark, member of the UK House of Lords; aka Baron Palumbo, founder of Ministry of Sound and very very rich) novel Tomas.

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