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work pieces by simon taylor

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  • NOT THAT BEAUTIFUL
    • ‘in your shadow the world was on fire’
    • ‘The Buttock’ and ‘The Bread’
    • A Drop
    • A Fort
    • A light and a radio
    • At the Café
    • Cathedral Steps
    • Fever
    • Help
    • I Died
    • Jack’s Cage
    • Preparations for Transport
    • The Captain’s Table
    • The Children
    • The Chinese Man
    • The Clouds
    • The Earthquakes
    • The End
    • The Engine Room
    • The Gate
    • The Heart
    • The Land War
    • The Mezzanine
    • The Mill Girl
    • The Ornament
    • The Past
    • The President Elect of the United States of America
    • The Prime Minister of New Zealand
    • The Sea-egg
    • The Theatre
    • This Evening
    • To Do
    • White Peace
    • Work
  • a theatre group called T-CELL
  • Crime Oil: now available
    • #1
    • #2
    • #3
    • #4
    • #5
    • #6
  • distinctions without differences: between now and here and nowhere, Auckland, 08
    • Invitation to an Opening, by way of an Introduction to The Separation Project [1998]
      • I.i.
      • I.ii
      • I.iii
      • II.i
      • II.ii
      • II.iii
      • II.iv
      • II.v
      • II.vi
      • II.vii
      • III.i
      • III.ii
      • III.iii
      • III.iv
      • IV.i
      • IV.ii
      • IV.iii
      • IV.iv
      • IV.v
      • IV.vi
      • V.i
      • V.ii
      • V.iii
      • V.iv
      • V.v
    • SEMELE I
    • SEMELE II
      • 0.0
      • 1.1
      • 2.1
      • 3.2
      • 4.3
      • 5.5
  • enantiomorphosis: the messianic
    • “taking back the land” - song [c. 1992]
    • The Failure of the Old World [c. 1992]
    • MIRACULOUS DAY [fl. 1988-1990]
      • L’Enfance du Christ [Christmas Day 1989]
      • EATING THE BABY [Christmas Day 1988]
    • formulated song [c. 1994]
    • New Zealand [c. 1992]
      • “cry all you want” [c. 1998]
  • fiance
  • pique-assiettes
    • for the lovely bones by alice sebold
      • on alice sebold’s the lovely bones: pornography of the human condition, part 2
    • FOUND materials
      • Alejandro Iglesias Rossi: the path with heart
  • QLIPPHOTH
    • a small requiem for Beanie
    • choruses
    • Dark Veins 1r
    • eros
      • Artemis variations
      • philomel
      • telemachus
    • Grosser Appell
    • He was not afraid
    • no dice
    • our stories in our own words
    • TERROR TO THE GLORY
      • about us
    • THE CEMETERY OF PRINCIPLE
      • POVERTY
      • SIMPLICITY
    • the clearing-house effect, 01
      • SEVEN ELEVEN (November 2001)
    • the clearing-house effect, 03
      • N-SET - fragment
    • the clearing-house effect, 05
      • EwD - Experiments with Death - screenplay for digital feature
    • the clearing-house effect, 06
      • Sweetheart, over____
      • a short history of original thought in New Zealand - screenplay
      • piece of identity - monologue with slideshow
      • The Tilting Point - screenplay for a short film
    • the clearing-house effect, 07
      • corpocracy and plaguology: some thoughts on “Digital Maoism”
      • danae, or resistance
        • say I & II
          • RJF project
            • belcher green: twelth rendering
            • list incomplete: seventh rendering
            • not soap: thirteenth rendering
            • on the square: eleventh rendering
            • plateau’s problems: tenth rendering
            • plateau: eighth rendering
              • from the notebooks for the RJF project/theory of half-mime - towards a methodology
                • RJF @ sf: working script
            • pumice: ninth rendering
            • remove your fingers: fifth rendering
            • RJF: third rendering
            • saponification: first rendering
            • soap: second rendering
            • trostlos: sixth rendering
            • under no illusions: fourth rendering
          • STUDY FOR A PASSION: a working script in II Acts for 2 Actors
    • the ease of fish that swim
    • two rivers (fr. Sweetheart, over____)
      • the second room, Maria (fr. Sweetheart, over____)
      • the third room, sleep (fr. Sweetheart, over____)
      • the transport (fr. Sweetheart, over____)
      • verse 5 (fr. Sweetheart, over____)
        • the country I’m composed of (embedded sonnet)
  • The Love Project, LP9
    • AB - Creative & Professional Development Application 15928 : 118955 ‘Love Project 9′ hereunder please find the text of the afore-struck application to Creative New Zealand for funding, sans letters in support, bios, curriculum vitae & pretty pictures
  • Upholstered People

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  • Errol Morris talks with Adam Curtis
  • How Can We Outlive Our Way of Life?
  • Interview with Adam Curtis (conducted by Andrew Orlovski)
  • L’Abécédaire de Gilles Deleuze, avec Claire Parnet
  • On Intimacy
  • Peter Stein, director of Stanislavski’s <i>Three Sisters</i>

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  • volcanic lines: deleuzian research group

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  • THE COFFEE
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