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work pieces by simon taylor

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  • Dear Visitor
    • Letter to the Prime Minister of New Zealand
    • Anthony Frederick Taylor 1937 – 2009
    • thank you for your sympathy in our time of sorrow
    • The Ministry of Destinies
      • MOIETIES
        • escalation
      • NOT MEANING ANYTHING
        • A Lesson in Fashion
        • An earthquake
        • By the pool
        • Christmas
        • Contino
        • Holland Balland
        • My grandmother
        • My mind
        • On a beach
        • Poetry Was Dead
        • The carpark
        • The Golden Age
        • The Harbour
        • The Human Breeding Programme
        • The mini
        • The Secessionist
        • Underage
      • COME TO NOTHING
        • A ruin
        • Castaway
        • Quick Song
        • Tell it to the birds
        • A Piece of Fabric
      • NOT THAT BEAUTIFUL
        • ‘in your shadow the world was on fire’
        • ‘The Buttock’ and ‘The Bread’
        • A Drop
        • A Fort
        • A light and a radio
        • At the Café
        • Cathedral Steps
        • Charming Little Town
        • Civilization
        • Difficult Work
        • Fever
        • General Brother
        • Help
        • I Died
        • Jack’s Cage
        • Middle Management
        • Preparations for Transport
        • Red Dog Row, or The Eye
        • The Captain’s Table
        • The Children
        • The Chinese Man
        • The Clouds
        • The Earthquakes
        • The End
        • The Engine Room
        • The Experiment
        • The Gate
        • The Heart
        • The Land War
        • The Mezzanine
        • The Mill Girl
        • The Ornament
        • The Past
        • The President Elect of the United States of America
        • The Prime Minister of New Zealand
        • The Sea-egg
        • The Sickle Heart
        • The Studio
        • The Theatre
        • This Evening
        • To Do
        • Transport 1
        • White Peace
      • fiance
  • distinctions without differences: between now and here and nowhere, Auckland, 08
    • AB – Creative & Professional Development Application 15928 : 118955 ‘Love Project 9′ hereunder please find the text of the afore-struck application to Creative New Zealand for funding, sans letters in support, bios, curriculum vitae & pretty pictures
      • The Love Project, LP9
    • SEMELE I
    • SEMELE II
      • 0.0
      • 1.1
      • 2.1
      • 3.2
      • 4.3
      • 5.5
    • a theatre group called T-CELL
    • Crime Oil: now available
      • #1
      • #2
      • #3
      • #4
      • #5
      • #6
    • Invitation to an Opening, by way of an Introduction to The Separation Project [1998]
      • I.i.
      • I.ii
      • I.iii
      • II.i
      • II.ii
      • II.iii
      • II.iv
      • II.v
      • II.vi
      • II.vii
      • III.i
      • III.ii
      • III.iii
      • III.iv
      • IV.i
      • IV.ii
      • IV.iii
      • IV.iv
      • IV.v
      • IV.vi
      • V.i
      • V.ii
      • V.iii
      • V.iv
      • V.v
    • Troy, in memoriam
  • enantiomorphosis: the messianic
    • “taking back the land” – song [c. 1992]
    • The Failure of the Old World [c. 1992]
    • MIRACULOUS DAY [fl. 1988-1990]
      • L’Enfance du Christ [Christmas Day 1989]
      • EATING THE BABY [Christmas Day 1988]
    • formulated song [c. 1994]
    • Hate and the Angel [c. 1985]
    • manifest from the 90s
    • New Zealand [c. 1992]
      • “cry all you want” [c. 1998]
  • QLIPPHOTH
    • God was very lonely
    • a small requiem for Beanie
    • choruses
    • Dark Veins 1r
    • eros
      • Artemis variations
      • philomel
      • telemachus
    • Grosser Appell
    • He was not afraid
    • no dice
    • our stories in our own words
    • TERROR TO THE GLORY
      • about us
    • THE CEMETERY OF PRINCIPLE
      • POVERTY
      • SIMPLICITY
    • the clearing-house effect, 01
      • SEVEN ELEVEN (November 2001)
    • the clearing-house effect, 03
      • N-SET – fragment
    • the clearing-house effect, 05
      • EwD – Experiments with Death – screenplay for digital feature
    • the clearing-house effect, 06
      • Sweetheart, over____
      • a short history of original thought in New Zealand – screenplay
      • piece of identity – monologue with slideshow
      • The Tilting Point – screenplay for a short film
    • the clearing-house effect, 07
      • corpocracy and plaguology: some thoughts on “Digital Maoism”
      • danae, or resistance
        • say I & II
          • RJF project
            • belcher green: twelth rendering
            • list incomplete: seventh rendering
            • not soap: thirteenth rendering
            • on the square: eleventh rendering
            • plateau’s problems: tenth rendering
            • plateau: eighth rendering
              • from the notebooks for the RJF project/theory of half-mime – towards a methodology
                • RJF @ sf: working script
            • pumice: ninth rendering
            • remove your fingers: fifth rendering
            • RJF: third rendering
            • saponification: first rendering
            • soap: second rendering
            • trostlos: sixth rendering
            • under no illusions: fourth rendering
          • STUDY FOR A PASSION: a working script in II Acts for 2 Actors
    • the ease of fish that swim
    • two rivers (fr. Sweetheart, over____)
      • the second room, Maria (fr. Sweetheart, over____)
      • the third room, sleep (fr. Sweetheart, over____)
      • the transport (fr. Sweetheart, over____)
      • verse 5 (fr. Sweetheart, over____)
        • the country I’m composed of (embedded sonnet)
    • Upholstered People
  • pique-assiettes
    • for the lovely bones by alice sebold
      • on alice sebold’s the lovely bones: pornography of the human condition, part 2
    • FOUND materials
      • Alejandro Iglesias Rossi: the path with heart
      • Marisa C. Hayes on Butoh Workshops at the Kazuo Ohno Dance Studio

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